Courtship -- Fiction; Egoism -- Fiction; England -- Fiction; Love stories; Psychological fiction
No one had noticed the wit. The corrupted hearing of people required a
collision of sounds, Vernon supposed. For his part, to prove their
excellence, he recollected a great many of Miss Middleton's remarks;
they came flying to him; and so long as he forbore to speak them aloud,
they had a curious wealth of meaning. It could not be all her manner,
however much his own manner might spoil them. It might be, to a certain
degree, her quickness at catching the hue and shade of evanescent
conversation. Possibly by remembering the whole of a conversation
wherein she had her place, the wit was to be tested; only how could any
one retain the heavy portion? As there was no use in being
argumentative on a subject affording him personally, and apparently
solitarily, refreshment and enjoyment, Vernon resolved to keep it to
himself. The eulogies of her beauty, a possession in which he did not
consider her so very conspicuous, irritated him in consequence. To
flatter Sir Willoughby, it was the fashion to exalt her as one of the
types of beauty; the one providentially selected to set off his
masculine type. She was compared to those delicate flowers, the ladies
of the Court of China, on rice-paper. A little French dressing would
make her at home on the sward by the fountain among the lutes and
whispers of the bewitching silken shepherdesses who live though they
never were. Lady Busshe was reminded of the favourite lineaments of the
women of Leonardo, the angels of Luini. Lady Culmer had seen crayon
sketches of demoiselles of the French aristocracy resembling her. Some
one mentioned an antique statue of a figure breathing into a flute: and
the mouth at the flutestop might have a distant semblance of the bend
of her mouth, but this comparison was repelled as grotesque.
For once Mrs. Mountstuart Jenkinson was unsuccessful.
Her "dainty rogue in porcelain" displeased Sir Willoughby. "Why rogue?"
he said. The lady's fame for hitting the mark fretted him, and the
grace of his bride's fine bearing stood to support him in his
objection. Clara was young, healthy, handsome; she was therefore fitted
to be his wife, the mother of his children, his companion picture.
Certainly they looked well side by side. In walking with her, in
drooping to her, the whole man was made conscious of the female image
of himself by her exquisite unlikeness. She completed him, added the
softer lines wanting to his portrait before the world. He had wooed her
rageingly; he courted her becomingly; with the manly self-possession
enlivened by watchful tact which is pleasing to girls. He never seemed
to undervalue himself in valuing her: a secret priceless in the
courtship of young women that have heads; the lover doubles their sense
of personal worth through not forfeiting his own. Those were proud and
happy days when he rode Black Norman over to Upton Park, and his lady
looked forth for him and knew him coming by the faster beating of her
heart.
Public-domain text, read in full here on John Shaqi.
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