The rest of Sheri’s tomb, so far as it has been preserved, is now in the Gizeh Museum. Years after the inscription on the fragment at Oxford had been deciphered, the hinder portion of the tomb was discovered by Mariette. Like the lintel-stone in the Ashmolean Museum, it is adorned with sculptures and hieroglyphics. Already, we learn from it, the hieroglyphic system of writing was complete, the characters being used not only to denote ideas and express syllables, but alphabetically as well. The name of Send himself is spelt in the letters of the alphabet. The art of the monument, though not equal to that which prevailed a few generations later, is already advanced, while the texts show that the religion and organisation of the empire were already old. In the age of the second dynasty, at all events, we are far removed from the beginnings of Egyptian civilisation. With Snefru, the first king of the fourth dynasty, or, according to another reckoning, the last king of the third, we enter upon the monumental history of Egypt. Snefru’s monuments are to be found, not only in Egypt, but also in the deserts of Sinai. There the mines of copper and malachite were worked for him, and an Egyptian garrison kept guard upon the Bedouin tribes. In Egypt, as has now been definitely proved by Professor Petrie’s excavations, he built the pyramid of Medûm, one of the largest and most striking of the pyramids. Around it were ranged the tombs of his nobles and priests, from which have come some of the most beautiful works of art in the Gizeh Museum. The painted limestone statues of Ra-nefer and his wife Nefert, for instance, are among the finest existing specimens of ancient Egyptian workmanship. They are clearly life-like portraits, executed with a delicacy and finish which might well excite the envy of a modern artist. The character, and even the antecedents of the husband and wife, breathe through their features. While in the one we can see the strong will and solid common-sense of the self-made man, in the other can be traced the culture and refinement of a royal princess.