extraordinary shows? Always stern and cruel, the Roman was now never satisfied unless with the spectacle of death. Sometimes in the midst of a play or pantomime the fierce lust of blood would seize him, and he would cry out for a combat of gladiators or nobles, who instantly obeyed; and after the fight was over, and the corpses removed, the play would go on as if nothing had occurred. The banners of the empire still continued to bear the initial letters of the great words--the Senate and people of Rome. We have now, in this rapid survey, seen what both those great names have come to--the Senate crawling at the feet of the emperor, and the people living on charity and shows. The slaves fared worst of all, for they were despised by rich and poor. The sated voluptuary whose property they were sometimes found an excitement to his jaded spirits by having them tortured in his sight. They were allowed to die of starvation when they grew old, unless they were turned to use, as was done by one of their possessors, Vidius Pollio, who cast the fattest of his domestics into his fish-pond to feed his lampreys. The only other classes were the actors and musicians, the dwarfs and the philosophers. They contributed by their wit, or their uncouth shape, or their oracular sentences, to the amusement of their employers, and were safe. They were licensed characters, and could say what they chose, protected by the long-drawn countenance of the stoic, or the comic grimaces of the buffoon. So early as the time of Nero, the people he tyrannized and flattered were not less ruthless than himself. In his cruelty--in his vanity--in his frivolity, and his entire devotion to the gratification of his passions--he was a true representative of the men over whom he ruled. Emperor and subject had even then become fitted for each other, and flowers, we are credibly told by the historians, were hung for many years upon his tomb.