These are what may be characterised as fancy sketches, which are often, in his hand, singularly graceful and charming in treatment and conception. "The Song," "The Dance," and "Morning Employments" may be mentioned especially among these, all these three having been entrusted to the graver of the famous Bartolozzi. Indeed, in writing of Bartolozzi,[7] I found it impossible to leave Bunbury out of my subject, and said of this artist: "He supplied the engraver with some charming drawings, mostly of English girls in simple country dress--such as the 'Sophia and Olivia,' drawn for Goldsmith's 'Vicar of Wakefield,' where one of the girls touches a guitar and the other holds a roll of music; or, again, that very lovely print, a copy of which is in the Victoria and Albert collection, where three young girls dance hand in hand to the strain which a country lad seated near them is piping. 'The Song,'" I added, "a pendant to this, is no less charming." "Love and Honour" is another of Bartolozzi's prints from Bunbury, representing a Light-Cavalry soldier taking leave of a pretty country girl, and bearing the legend: "Hark! the drum commands Honour! I attend thee! Love, I kiss thy hands!" "Lucy of Leinster" and "Bothwell's Lament," it may be noted, are by the same engraver. Apart from its own beauty the engraving of "The Dance" is of especial interest, since the three figures dancing are said to be taken from those famous beauties of the time, the Misses Gunning; and in his "Love and Hope," "Love and Jealousy," and a "Tale of Love," which Bartolozzi's pupil, J. K. Sherwin, engraved for him, he follows with success the same class of subject. It is the sentimental charm, which streams from the fair Angelica Kauffman's pencil and kept busy the best engravers of the time, notably Bartolozzi, Ryland, Sherwin, and Tomkins, which here attracts the soldier and caricaturist, who was also the devoted lover and husband; and in these prints, though the initiative and conception is certainly our artist's, it is difficult to know how much we may not owe to the practised hand of such an engraver as Francesco Bartolozzi. But certainly this side of art was treated by Henry Bunbury freely, and with marked success, and the list would be a long one if we were to attempt to chronicle all. "Edwin and Ethelinda," "Black-eyed Susan," "Auld Robin Gray" (a charming colour-print, also engraved by Bartolozzi), "Adelaide in the Garden" (by the same engraver), the charming "Songstress," "Charlotte and Werther's meeting," "Margaret's Tomb," "The Girl of Snowdon," "The Girl of Modena," "Marianna," "Cicely," and that sweet "Country Maid" engraved by J. R. Smith in 1782, and whose legend tells us: "No care but Love can discompose her breast, Love of all cares the sweetest and the best."