Phil found Ione Bloomsbury in person to be even more wonderful than
her photograph suggested. Obviously she had brains; it was apparent,
too that she had breeding. Her cheerful view of the world was like a
tonic for tired nerves; and withal, she had a gentle sort of courtesy
in her manner that may have been old-fashioned, but it was almost too
much for Phil. Before the dinner was over, he would have laid his
heart at her feet. It gave him a thrill that went to his head, to have
her by his side, slipping along through the darkness toward Tony's
building.
This building was a one-story brick affair with a vast amount of
window space. From the sidewalk they could see faint lights glowing
within, but could make out no further details. They therefore selected
the darkest side of the building, and made their way hurriedly across
the lawn. Here, they found, they could see the crowding apparatus
within the one long room fairly well. They looked into one window
after another, making a circuit around the building, until Phil
suddenly clutched the girl's arm.
"Look!" he whispered. "Straight ahead and a little to the left!"
At the place he indicated stood a tall safe. Across the top of its
door were painted in gold letters, the words: "The Epicure."
"That's the safe that went to-night," whispered Phil. "That's all we
need to know. Now, quick to a telephone!"
"Oh," said a gentle, ironic voice behind them, "not so quick!"
* * * * *
They whirled around and found themselves looking into two automatic
pistols, and behind them in the light of the street lamps, the
sardonic smile of Tony Costello.
"Charmed at your kind interest in my playthings, I'm sure," he purred.
"Only it leaves me in an embarrassing position. I'm not exactly sure
what to do about it. Kindly step inside while I think."
Phil made a move sidewise along the wall.
"Stop!" barked Costello sharply. "Of course," his voice was quiet
again, "that might be the simplest way out. I think I am within my
legal rights if I shoot people who are trying to break into my
property. Yet, that would be messy--not neat. Better step in. The
window swings outward."
At the point of his pistols they clambered through the window, and he
came in after them. He kept on talking, as though to himself, but loud
enough for them to hear.
"Yes, we want some way out that is neater than that. Hm! Violence
distresses me. Never liked Ed's rough methods. Yet, this is
embarrassing."
He turned to them.
"What did you really want here? I see that you are the _Examiner's_
reporter, and that you are the lady of the photograph. What did you
come here for? Ah, yes, the safe. Well, go over and look at it."
As they hesitated, he stamped his foot and shrilled crankily:
"I mean it! Go, look at the safe! Is there anything else you want to
know?"
"Yes," said Phil coolly, his self-control returning, "where are the
other safes?"
Public-domain text, read in full here on John Shaqi.
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