When they had had their breakfast, and the old people were ready for
church--where they would listen a little, sleep a little, sing heartily,
and hear nothing to wake hunger, joy or aspiration, Dawtie put a piece
of oat-cake in her pocket, and went to join Andrew where they had made
their tryst and where she found him waiting--at his length in a bush of
heather, with Henry Vaughan's “Silex Scintillans,” drawing from it
“bright shoots of everlastingness” for his Sabbath day's delight. He
read one or two of the poems to Dawtie, who was pleased but not
astonished--she was never astonished at anything; she had nothing in her
to make anything beautiful by contrast; her mind was of beauty itself,
and anything beautiful was to her but in the order and law of
things--what was to be expected. Nothing struck her because of its
rarity; the rare was at home in her country, and she was at home with
it. When, for instance, he read: “Father of lights, what sunny seeds,”
she took it up at once and understood it, felt that the good man had
said the thing that was to be said, and loved him for it. She was not
surprised to hear that the prayer was more than two hundred years old;
were there not millions of years in front? why should it be wonderful
that a few years behind men should have thought and felt as she did, and
been able to say it as she never could! Had she not always loved the
little cocks, and watched them learning to crow?
“But, An'rew,” she said at length, “I want to tell ye something that's
troublin' me; then ye can learn me what ye like.”
“Tell on, Dawtie,” said Andrew; and she began.
“Ae nicht aboot a fornight ago, I couldna sleep. I drave a' the sheep I
could gether i' my brain, ower ae stile efter anither, but the sleep
stack to the woo' o' them, an' ilk ane took o' 't awa' wi' him. I wadna
hae tried, but that I had to be up ear', and I was feared I wad sleep
in.”
For the sake of my more polished readers--I do not say more _refined_,
for polish and refinement may be worlds apart--I will give the rest in
modern English.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account