The Electra of Euripides: Translated into English rhyming verseEuripides
General
The Electra of Euripides: Translated into English rhyming verse
Euripides
Electra (Greek mythological figure) -- Drama
P. 2, l. 34, Must wed with me.]--In Aeschylus and Sophocles Electra is
unmarried. This story of her peasant husband is found only in Euripides,
but is not likely to have been wantonly invented by him. It was no doubt
an existing legend--an [Greek: ôn logos], to use the phrase attributed to
Euripides in the _Frogs_ (l. 1052). He may have chosen to adopt it for
several reasons. First, to marry Electra to a peasant was a likely step
for Aegisthus to take, since any child born to her afterwards would bear a
stigma, calculated to damage him fatally as a pretender to the throne.
Again, it seemed to explain the name "A-lektra" (as if from [Greek:
lektron] "bed;" cf. Schol. _Orestes_, 71, Soph. _El_. 962, _Ant_. 917)
more pointedly than the commoner version. And it helps in the working out
of Electra's character (cf. pp. 17, 22, &c.). Also it gives an opportunity
of introducing the fine character of the peasant. He is an [Greek:
Autourgos] literally "self-worker," a man who works his own land, far from
the city, neither a slave nor a slave-master; "the men," as Euripides says
in the _Orestes_ (920), "who alone save a nation." (Cf, _Bac_., p. 115
foot, and below, p. 26, ll. 367-390.) As Euripides became more and more
alienated from the town democracy he tended, like Tolstoy and others, to
idealise the workers of the soil.
P. 6, l. 62, Children to our enemy.]--Cf. 626. Soph. _El_. 589. They do
not seem to be in existence at the time of the play.
Pp. 5-6.]--Electra's first two speeches are admirable as expositions of
her character--the morbid nursing of hatred as a duty, the deliberate
posing, the impulsiveness, the quick response to kindness.
P. 7, l. 82, Pylades.]--Pylades is a _persona muta_ both here and in
Sophocles' _Electra_, a fixed traditional figure, possessing no quality
but devotion to Orestes. In Aeschylus' _Libation-Bearers_ he speaks only
once, with tremendous effect, at the crisis of the play, to rebuke Orestes
when his heart fails him. In the _Iphigenia in Tauris_, however, and still
more in the _Orestes_, he is a fully studied character.
P. 10, l. 151, A swan crying alone.]--Cf. _Bacchae_, p. 152, "As yearns
the milk-white swan when old swans die."
P. 11, ll. 169 ff., The Watcher hath cried this day.]--Hera was an old
Pelasgian goddess, whose worship was kept in part a mystery from the
invading Achaeans or Dorians. There seems to have been a priest born "of
the ancient folk," _i.e._, a Pelasgian or aboriginal Mycenaean, who, by
some secret lore--probably some ancient and superseded method of
calculating the year--knew when Hera's festival was due, and walked round
the country three days beforehand to announce it. He drank "the milk of
the flock" and avoided wine, either from some religious taboo, or because
he represented the religion of the milk-drinking mountain shepherds.
Public-domain text, read in full here on John Shaqi.
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