that the churinga is sacred and saying that it has such and such a relation with a sacred being, is merely to proclaim the same fact in two different ways; it is not accounting for them. Moreover, according to the avowal of Spencer and Gillen, there are some churinga among the Arunta which are made by the old men of the group, to the knowledge of and before the eyes of all;[340] these obviously do not come from the great ancestors. However, except for certain differences of degree, they have the same power as the others and are preserved in the same manner. Finally, there are whole tribes where the churinga is never associated with a spirit.[341] Its religious nature comes to it, then, from some other source, and whence could it come, if not from the totemic stamp which it bears? It is to this image, therefore, that the demonstrations of the rite are really addressed; it is this which sanctifies the object upon which it is carved. Among the Arunta and the neighbouring tribes, there are two other liturgical instruments closely connected with the totem and the churinga itself, which ordinarily enters into their composition: they are the _nurtunja_ and the _waninga_. The nurtunja,[342] which is found among the northern Arunta and their immediate neighbours,[343] is made up principally of a vertical support which is either a single lance, or several lances united into a bundle, or of a simple pole.[344] Bunches of grass are fastened all around it by means of belts or little cords made of hair. Above this, down is placed, arranged either in circles or in parallel lines which run from the top to the bottom of the support. The top is decorated with the plumes of an eagle-hawk. This is only the most general and typical form; in particular cases, it has all sorts of variations.[345] The waninga, which is found only among the southern Arunta, the Urabunna and the Loritja, has no one unique model either. Reduced to its most essential elements, it too consists in a vertical support, formed by a long stick or by a lance several yards high, with sometimes one and sometimes two cross-pieces.[346] In the former case, it has the appearance of a cross. Cords made either of human hair or opossum or bandicoot fur diagonally cross the space included between the arms of the cross and the extremities of the central axis; as they are quite close to each other, they form a network in the form of a lozenge. When there are two cross-bars, these cords go from one to the other and from these to the top and bottom of the support. They are sometimes covered with a layer of down, thick enough to conceal the foundation. Thus the waninga has the appearance of a veritable flag.[347]