The Elementary Forms of the Religious LifeDurkheim, Émile
Religion
The Elementary Forms of the Religious Life
Durkheim, Émile
Cults; Religion; Religion -- Philosophy; Rites and ceremonies; Totemism
the novice enters into the sanctuary of the churinga. It is with them
and the nurtunja that he communicates. The representations of the totem
are therefore more actively powerful than the totem itself.
II
We must now determine the place of man in the scheme of religious
things.
By the force of a whole group of acquired habits and of language itself,
we are inclined to consider the common man, the simple believer, as an
essentially profane being. It may well happen that this conception is
not literally true for any religion;[388] in any case, it is not
applicable to totemism. Every member of the clan is invested with a
sacred character which is not materially inferior to that which we just
observed in the animal. This personal sacredness is due to the fact that
the man believes that while he is a man in the usual sense of the word,
he is also an animal or plant of the totemic species.
In fact, he bears its name; this identity of name is therefore supposed
to imply an identity of nature. The first is not merely considered as an
outward sign of the second; it supposes it logically. This is because
the name, for a primitive, is not merely a word or a combination of
sounds; it is a part of the being, and even something essential to it. A
member of the Kangaroo clan calls himself a kangaroo; he is therefore,
in one sense, an animal of this species. "The totem of any man," say
Spencer and Gillen, "is regarded as the same thing as himself; a native
once said to us when we were discussing the matter with him, 'That one,'
pointing to his photograph which we had taken, 'is the same thing as me:
so is a kangaroo' (his totem)."[389] So each individual has a double
nature: two beings coexist within him, a man and an animal.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account