The elements of characterWare, Mary G. (Mary Greene)
Philosophy
The elements of character
Ware, Mary G. (Mary Greene)
Character
Much has been done of late to render the natural sciences familiar and
attractive to the popular mind, by lectures and books that bring them
within the comprehension of all: and it is to be hoped, that, beginning
thus with the material parts of the universe, mankind may be gradually
led from matter to mind, from science to religion. The forms of external
things are easily reproduced in the mind as images, and this is why
natural science addresses itself more readily to the mind than any other
branch of learning. When men learn to look within, and perceive that
the things of the mind are as genuine realities as the objects of the
external world, Philosophy will become attractive; and when the preacher
warms Theology into Religion by abandoning the technicalities of
abstractions for the living realities of piety towards God and charity
towards the neighbor, he will rejoice in a listening audience.
The amount and the quality of that which we call originality, creative
power, or genius, is entirely dependent upon the activity, force, and
integrity of the Imagination. Talent belongs to Thought, and works only
with facts and ideas as others have done before. It may be skilful,
sensible, and faithful, but it can walk only in the old, beaten tracks.
It can classify and arrange, but it can never discover or invent. Talent
can understand and admire the mechanical powers; Genius puts them in
harness, and makes them traverse land and sea to do his bidding. Talent
loves to gaze on the fair forms of nature, and depicts them upon canvas
with skill and truth, neither adding to nor subtracting from its model.
Genius seizes upon the hints that nature gives, and without being false
to her, makes use only of that which helps to make up the beautiful, the
sublime, or the terrible; showing the power that is within nature rather
than nature herself. Talent sees life as it is, and so describes it, if
it ventures into the domain of literature. Genius sees life as it is
capable of being, and hence comes poetry and romance, depicting heroes
and heroines, monsters and fiends, types rather than representatives of
the human race. Talent perceives only the actualities of things, Genius
their possibilities. Talent is content with things as they are, while
Genius is ever striving to bring out latent capacities in whatever it
deals with. If true to its higher impulses, Genius is ever striving to
come nearer "the first good, first perfect, and first fair"; if false,
it degrades and deforms everything it touches.
Mankind differ from each other in degree, but not in kind. By his power
of thinking, a man has talent; by his power of imagining, genius.
Quick-wittedness is genius in its lowest form,--genius applied to
material life in its daily ongoings. The power for resource in
emergencies is genius in a higher form. Invention--the putting together
with an adequate purpose two things or ideas that never went together
before--is genius in another form.
Public-domain text, read in full here on John Shaqi.
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