The elements of characterWare, Mary G. (Mary Greene)
Philosophy
The elements of character
Ware, Mary G. (Mary Greene)
Character
This action of the Understanding cannot go
on without influencing the Affections. The one is as much the gift of
God as the other, and each alike demands a healthful nutriment. An
Understanding whose attributes are ignorance and folly can never promote
a healthful growth of the Affections.
It has been already said that the Understanding of a great majority of
human beings can be reached only through its imaginative side. Every one
who is accustomed to children knows that this is universally true of
them. Tell a child an abstract truth, and it falls dead upon his ear;
but illustrate the same truth in a little story, and he is quick to
estimate its justice. This continues true of most persons during their
whole lives, so that it is vain to attempt touching their minds in any
other way than by presenting them with some image illustrating the truth
inculcated. Those who are capable of receiving an abstract truth without
such an image are frequently so from the fact that the moment such a
truth is presented to their Understanding, their Imagination is prompt
to furnish the corresponding image. Unless this is done either by the
speaker or the listener, the truth is apt to be only a useless piece of
lumber stored away in the thoughts. The whole secret of the fascinating
power of the novelist lies in his telling us of all that is most
interesting to humanity, and presenting everything to the mind in
images.
Most persons have so many duties to perform, that they have little time
for voluntary employment, and then they want recreation, which, if they
read, they say they can gain only through works of Imagination. There is
nothing to object to in this, if such works be well selected and read
wisely. There are many bad ways of reading novels; but there are two
to be especially avoided; firstly, vitiating the Affections by reading
impure novels; and secondly, weakening the powers of the Understanding
by glancing through novels merely for the sake of the story. To
read novels of doubtful or bad morality is as likely to corrupt the
Affections as to associate with low and wicked companions. There is an
abundant supply of pure and noble compositions of this sort on which the
Imagination may feed without fear. If it morbidly craves the licentious
pictures that come from the pen of such writers as Ainsworth or George
Sand, its longings should be resisted as steadfastly as those which
incline us to the gaming table or other scenes of licentious indulgence.
On the other hand, the danger to the Understanding from skimming novels
is far too much overlooked. It is not recreation, but dissipation, not
a renewal, but a destruction, of the powers to read in this way. If you
would be benefited by what you read, learn to read critically. Look at
the characters, and see if they be natural and well drawn; observe the
morality, and see if it be true or false; examine the style, and see if
it be good or bad, graceful or awkward, distinct or vague. Novel-writing
Public-domain text, read in full here on John Shaqi.
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