The elements of characterWare, Mary G. (Mary Greene)
Philosophy
The elements of character
Ware, Mary G. (Mary Greene)
Character
The first requisites in a healthy, well-developed Imagination are truth
and distinctness. To those who deem Imagination but another name for
fiction and falsehood, it may seem a contradiction in terms to talk of a
true Imagination; but it is not so. Works of fiction charm us always in
proportion as they seem true, and it is the morbid Imagination only that
delights in falsehood. We sometimes see persons who, without apparent
intention of falsehood, seem incapable of speaking the truth. If they
relate a circumstance that has passed under their own observation, or
describe anything that they have seen, they add here and diminish there,
distort this and give a new color to that, in such a manner that the
hearer receives an impression of nothing as it really is. If there seem
to be no malicious or evil design in all this, such persons are commonly
called very imaginative; they should be called persons of unregulated,
unprincipled Imaginations. They do not bring Imagination under the sway
of conscience, and their power of appreciating the truth will grow less
and less until Imagination becomes a living lie.
Visionary persons form another class of those who do not regulate
Imagination by the laws of him who is truth itself. With these,
Imagination is as false in relation to that which is to come, as with
the last described in relation to that which has already been. In their
plans of life they reason from fancy instead of from fact, and their
Imaginations are filled with fantastic visions of things impossible,
instead of the clear, bright images of that, which may rationally be
expected to come to pass. Such persons perpetually wasting their powers
by trying to do so many things that they can do nothing well, or by
striving to do some one thing that is impossible; thus rendering
themselves comparatively useless in society, and often even mischievous.
To avoid this error, it is needful to go back perpetually to Thought in
order to obtain a solid foundation for Imagination to build upon. As
Imagination passes to and fro between Thought and Affection, it must
remember that it is a messenger from one to the other, and must not
invent tales on the way, and so deceive Affection into acts of folly.
The facts of the message must be precisely such as Thought gave them,
while their costume may be such as Imagination would have it. Thus the
Affections will be roused to action in proportion as the eloquence of
the Imagination is more or less intense, When it speaks in "words that
burn," if it speak from itself, it will rouse the Affections to wild
fanaticism; but if it speak from Thought, it will waken enthusiasm in
the heart, such as shall bear it steadfastly onward in the path of duty,
"without haste and without rest." Distinctness of Imagination may be
cultivated by carefully observing things we wish to remember, and
then calling up their forms before the mind's eye, and endeavoring to
describe them just as they are, in words, by writing, or by drawing;
Public-domain text, read in full here on John Shaqi.
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