Aristophanes -- Translations into English; Athens (Greece) -- Drama; Comedy plays; Greek drama (Comedy) -- Translations into English
This scorn of propriety, this unchecked licence of speech, has often been
made a subject of reproach against Aristophanes, and it appears to the
best modern critics that the poet would have been not a whit less
diverting or effective had he respected the dictates of common decency.
But it is only fair, surely, before finally condemning our Author, to
consider whether the times in which he lived, the origin itself of the
Greek Comedy, and the constitution of the audience, do not entitle him at
any rate to claim the benefit of extenuating circumstances. We must not
forget that Comedy owes its birth to those festivals at which Priapus was
adored side by side with Bacchus, and that 'Phallophoria' (carrying the
symbols of generation in procession) still existed as a religious rite at
the date when Aristophanes was composing his plays. Nor must we forget
that theatrical performances were at Athens forbidden pleasures to women
and children. Above all we should take full account of the code of social
custom and morality then prevailing. The Ancients never understood
modesty quite in the same way as our refined modern civilization does;
they spoke of everything without the smallest reticence, and expressions
which would revolt the least squeamish amongst ourselves did not surprise
or shock the most fastidious. We ought not, therefore, to blame too
severely the Comic Poet, who after all was only following in this respect
the habits of his age; and if his pictures are often repulsively bestial,
let us lay most blame to the account of a state of society which deserved
to be painted in such odiously black colours. Doubtless Aristophanes
might have given less Prominence to these cynical representations,
instead of revelling in them, as he really seems to have done; men of
taste and refinement, and there must have been such even among his
audience, would have thought all the better of him! But it was the
populace filled the bulk of the benches, and the populace loved coarse
laughter and filthy words. The Poet supplied what the majority demanded;
he was not the man to sacrifice one of the easiest and surest means of
winning applause and popularity.
Public-domain text, read in full here on John Shaqi.
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