The eleventh hour in the life of Julia Ward HoweElliott, Maud Howe
General
The eleventh hour in the life of Julia Ward Howe
Elliott, Maud Howe
Howe, Julia Ward, 1819-1910
Though for many years she left the housekeeping to the daughter or
granddaughter who was living with her, she always kept her own bank
account and never allowed any one to take charge of her finances. She
often lamented that her hands were so useless for household tasks,
envying her granddaughters’ dexterity with scissors and needle. I must
not forget to mention her practising. She had a beautiful voice which
had been carefully trained in the old Italian method. She practised
her scales regularly all her life; I have often heard her say she
believed the exercise of singing was very valuable in preparing her
for public speaking. She was faithful too in practising on the piano,
and always played her scales so that her fingers never lost their
flexibility or the power to do the things she really wanted them to
do--to hold the pen (she almost never dictated, but wrote everything
with her own hand), to play the piano, to accompany her speaking with
appropriate gestures. To the last her hands retained their exquisite
shape; the cast made from them after death shows their unimpaired
beauty. My father was very strict about diet; all “fried abominations”
were taboo with him, pastry, high seasoning, ham, cocoanut cakes--all
rich food--were anathema maranatha. From first to last she was frankly
a rebel in this matter. It was said, in the family, that she had
the digestion of an ostrich. In spite of all opposition she calmly
continued to eat whatever she fancied to the end of her life. During
her last summer she wrote to her physician asking permission to eat
ham and pastry, dishes that to her daughters seemed a little heavy for
summer weather. At her last luncheon party she was advised not to eat
pâté de foies gras or to drink champagne; she put aside the advice with
the familiar remark we all knew so well:
“I have taken these things all my life and they have never hurt me.”
Public-domain text, read in full here on John Shaqi.
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