Before long Don Juan had crossed the lofty, chilly suite of rooms in
which his father lived; the penetrating influences of the damp close
air, the mustiness diffused by old tapestries and presses thickly
covered with dust had passed into him, and now he stood in the old man's
antiquated room, in the repulsive presence of the deathbed, beside a
dying fire. A flickering lamp on a Gothic table sent broad uncertain
shafts of light, fainter or brighter, across the bed, so that the dying
man's face seemed to wear a different look at every moment. The bitter
wind whistled through the crannies of the ill-fitting casements; there
was a smothered sound of snow lashing the windows. The harsh contrast of
these sights and sounds with the scenes which Don Juan had just quitted
was so sudden that he could not help shuddering. He turned cold as he
came towards the bed; the lamp flared in a sudden vehement gust of
wind and lighted up his father's face; the features were wasted and
distorted; the skin that cleaved to their bony outlines had taken wan
livid hues, all the more ghastly by force of contrast with the white
pillows on which he lay. The muscles about the toothless mouth had
contracted with pain and drawn apart the lips; the moans that issued
between them with appalling energy found an accompaniment in the howling
of the storm without.
In spite of every sign of coming dissolution, the most striking thing
about the dying face was its incredible power. It was no ordinary spirit
that wrestled there with Death. The eyes glared with strange fixity of
gaze from the cavernous sockets hollowed by disease. It seemed as if
Bartolommeo sought to kill some enemy sitting at the foot of his bed by
the intent gaze of dying eyes. That steady remorseless look was the
more appalling because the head that lay upon the pillow was passive and
motionless as a skull upon a doctor's table. The outlines of the body,
revealed by the coverlet, were no less rigid and stiff; he lay there as
one dead, save for those eyes. There was something automatic about the
moaning sounds that came from the mouth. Don Juan felt something like
shame that he must be brought thus to his father's bedside, wearing a
courtesan's bouquet, redolent of the fragrance of the banqueting-chamber
and the fumes of wine.
"You were enjoying yourself!" the old man cried as he saw his son.
Even as he spoke the pure high notes of a woman's voice, sustained by
the sound of the viol on which she accompanied her song, rose above the
rattle of the storm against the casements, and floated up to the chamber
of death. Don Juan stopped his ears against the barbarous answer to his
father's speech.
"I bear you no grudge, my child," Bartolommeo went on.
The words were full of kindness, but they hurt Don Juan; he could not
pardon this heart-searching goodness on his father's part.
"What a remorseful memory for me!" he cried, hypocritically.
Public-domain text, read in full here on John Shaqi.
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