His brothers in spirit, healthy, happy, lazy, young scamps, are
loitering about the Piazza, with boxes of cheap mosaic trinkets, smiling
caressingly at passing Englishwomen, and saucily offering them their
goods: “Des mosaïques, madame? Très jolies et pas chères!” There is a
passing _vetturino_ (cabman) raising his finger, and gazing fixedly at
the _forestiere_ (foreigner), implying with look and gesture an obliging
readiness to drive him to the end of the earth. Leaning against a column,
there stands the plague of contemporary Rome: a middle-aged guide, with
the face of a benevolent old father who has had no luck in life. He is
muffled up in a brightly coloured scarf, and with a massive walking-stick
in his hand, he lingers beside a historical monument and awaits his
victim, the next unsuspecting and simple passing tourist. He stares
gloomily at a crowd of shrieking street urchins, who have just emerged
from a neighbouring alley. They are supposed to be selling newspapers,
but actually they are eternally fighting, rolling in the dust, throwing
about and soiling the newly printed journals. They are dispersed and
driven away with a stick by a tall, bent old man, picturesquely draped
in an enormous grey cloth cloak with a fur collar. This garment the old
man has dragged as a remembrance from the shoulders of a late faithful
lodger, recently deceased at an extreme old age. The inconsolable
landlord is going to a _festa_, one of those solemn Masses, with a
Cardinal officiating, which are celebrated almost every day in one or
other of Rome’s innumerable churches. Behind his indescribably dirty
ear, that has never been washed since his birth, he has tucked a red
carnation, as a sign of respect to the saint whose memory he is going to
honour.
Suddenly, a group of wandering musicians show themselves on the Piazza.
One plays the violin, another blows a trumpet, while a third, in a
broken top-hat and a rusty overcoat, sings _canzonettas_, and dances.
Immediately, a crowd collects. At all the open windows appear signoras
with black eyes and raven tresses, pushing away with their hands the
rags hung out to dry. They are all laughing and screaming and chattering,
they are all happy. This is still the same pleasure-loving ancient-Roman
crowd, living more in the street than at home, and revelling in anything
in the nature of a pageant. Arrange a gladiator’s fight to-morrow in the
Colosseum, and they will all rush to the spot, and applaud the victor as
passionately as ever did their ancestors.
Sometimes these Piazzas are the scenes of antiquarian markets. Light
wooden booths are erected for the sale of old cassocks and other priestly
vestments, pieces of material, embroideries, lace, old brooches,
bracelets, fans, candlesticks in the shape of antique lamps, books
printed on faded yellow parchment, pictures, and statuettes. All this is
bought up fast and feverishly by Englishwomen and Americans, whom the
wily Romans deceive in the most ungodly manner.
Public-domain text, read in full here on John Shaqi.
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