“There are many orders of nuns in Rome,” answered the Father,
reflectively, “each with a particular aim and purpose. There are sisters
who nurse the sick, and others who educate children. It seems to me that
the order most suited in your case is that of the Sœurs Mauves. They lead
very secluded lives, pray a great deal, and keep watch, night and day,
over the Holy Sacrament. You can see them every day at Vespers in their
Church of Santa Petronilla in the Via Gallia.”
Trembling with emotion, Irene turned her steps towards this convent,
half afraid of her own first impression. When she entered, the church
was almost empty. A few stray old men and old women were dreaming on
chairs, waiting for the service. Like most modern Roman churches, Santa
Petronilla was ablaze with gilding and profusely decorated with pictures.
On either side, up above, were galleries of quite theatrical appearance,
painted mauve and white, the colours of the convent. A transparent, high,
carved partition divided the church into two parts: the one nearest the
entrance for the public, the other, nearest the altar, for the nuns. At
present, all was dark and empty, only one feeble taper was burning on the
altar.
Irene took a seat in the first row, quite close to the partition, and
prepared to contemplate her future surroundings. It was a long time
before the silence was broken by the slow, dull sound of the church
bells. The altar was suddenly brightly illuminated, and a procession
of nuns appeared through the door. They entered in couples, knelt for
a moment, one couple at a time, before the altar, and then slowly,
gracefully, with soundless footsteps, made their way to their places.
They were dressed in white robes with long trains, and wide mauve
borders. White veils hid their faces, and fell at the back in graceful
folds over their trains. These veils were so thick, that it was
impossible to distinguish the ages of their wearers. With soft white
hands, the nuns clasped the golden crosses on their breasts, as they
slowly sank into their places, threw back their veils, and, directing
their gaze to the altar, remained immovable in the most graceful of
poses. Somewhere in the distance an organ began to play, and an invisible
choir sang a prayer, or, rather, a beautiful Italian operatic air.
Public-domain text, read in full here on John Shaqi.
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