But, somehow, it is an unfortunate fact in dear Russia, that even the most precious gifts of the gods seem never to be of any benefit to our people. How is one to explain this curious circumstance? Does it arise from some peculiarity in the Russian temperament, or from the general disorder and purposelessness of our way of living? The French, in the similar case of “La Belle au Bois Dormant,” have laid all the blame at the door of the wicked fairy who was offended at not being invited to the christening. I think I shall not go far wrong if I say that in Russia the part of the wicked fairy is played by the parents of the infant themselves. Oh, of course not intentionally, but simply as a consequence of our Russian laziness and the absence of organized and formulated ideas in the bringing up of our children. Irene Mstinskaia lost her mother early and was brought up by her father, a scientist who spent all his life in his laboratory, disliked society, and received nobody but an occasional friend, as jealously devoted to science as himself. He adored his little Irene, petted and spoiled her; but, like most Russian parents, took very little interest in her spiritual development. The child grew up, lonely, silent, pensive. Books took, in her young life, the place of companions and childish games. She read a great deal without guidance or discrimination, and gained all her ideas on life, all her faith, all her ideals and aims and aspirations from books. Books stood between her and reality, and hid from her those deep truths that can never be learnt from even the greatest literary production, but can only be understood after long years of untiring observation and experience. It was in books also that Irene found her ideal of the man she could love. Her hero was an exceedingly complicated character. He united in himself the stoicism of an ancient Roman, the romanticism of a mediæval knight, the gallantry of a powdered marquis, and the dignified chivalry of the hero of an English novel.