Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English; Hadrian, Emperor of Rome, 76-138 -- Fiction
Pontius had already begun his labors, at first with aid only of his
assistants who had followed him on foot. Measuring, estimating, sending
short notes and writing figures, names and suggestions on the plan,
and on his folding wax-tablets, he was not idle for an instant, though
frequently interrupted by the appointed superintendents of the workshops
and manufactures in Lochias, whose co-operation he required. They only
came at this late hour because they were called upon by the prefect’s
orders.
Papias, the sculptor, introduced himself among the latest, though
Pontius had written to him with his own hand that he had to communicate
to him a very remunerative and particularly pressing commission for the
Emperor, which might, perhaps, be taken in hand that very night. The
matter in question was a statue of Urania, which must be completed in
eight days by the same method which Papias had introduced at the last
festival of Adonis, and to the scale which he, Pontius, indicated,
in the palace of Lochias itself. With regard to several works of
restoration which had to be carried out with equal rapidity, and as to
the price to be paid, they could agree at the same time and place.
The sculptor was a man of foresight and did not appear on the scene
alone but with his best assistant, Pollux, the son of the worthy couple
at the gate, and several slaves who dragged after him sundry trunks and
carts loaded with tools, boards, clay, gypsum and other raw materials
of his art. On the road to Lochias he had informed the young sculptor of
the business in hand, and had told him in a condescending tone that he
would be permitted to try his skill in reconstructing the Urania. At the
gate he had permitted Pollux to greet his parents, and had gone alone
into the palace to open his bargain with the architect without the
presence of witnesses.
The young artist perfectly understood his master. He knew that he would
be expected to carry out the statue of Urania, while his task-master,
after making some trifling alterations in the completed work, would
declare that it was his own. Pollux had for two years been obliged,
more than once, to put up with similar treatment; and now, as usual, he
submitted to this dishonest manoeuvre because, under his master there
was plenty to do, and the delight of work was to him the greatest he
could have.
Public-domain text, read in full here on John Shaqi.
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