Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English; Hadrian, Emperor of Rome, 76-138 -- Fiction
Papias, to whom he had gone early as an apprentice and to whom he owed
the knowledge he possessed, was no miser, still Pollux needed money, not
for himself alone but because he had taken on himself the charge of a
widowed sister and her children as if they were his own family. He was
always glad to take some comfort into the narrow home of his parents, who
were poor, and to maintain his younger brother Teuker--who had devoted
himself to the same art--during the years of his apprenticeship. Again
and again he had thought of telling his master that he should start on
his own footing and earn laurels for himself, but what then would become
of those who relied on his help, if he gave up his regular earnings and
if he got no commissions when there were so many unknown beginners eager
for them? Of what avail were all his ability and the most honest good-
will if no opportunity offered for his executing his work in noble
materials? With his own means he certainly was in no position to do so.
While he was talking to his parents Papias had opened his transactions
with the architect. Pontius explained to the sculptor what was required
and Papias listened attentively; he never interrupted the speaker, but
only stroked his face from time to time, as if to make it smoother than
it was already, though it was shaved with peculiar care and formed and
colored like a warm mask; meanwhile draping the front of his rich blue
toga, which he wore in the fashion of a Roman senator, into fresh folds.
But when Pontius showed him, at the end of the rooms destined for the
Emperor, the last of the statues to be restored, and which needed a new
grin, Papias said decisively:
"It cannot be done."
"That is a rash verdict," replied the architect. "Do you not know the
proverb, which, being such a good one, is said to have been first uttered
by more than one sage: 'That it shows more ill-judgment to pronounce a
thing impossible than to boast that we can achieve a task however much it
may seem to transcend our powers.'"
Papias smiled and looked down at his gold-embroidered shoes as he said:
"It is more difficult to us sculptors to imagine ourselves waging Titanic
warfare against the impossible, than it is to you who work with enormous
masses. I do not yet see the means which would give me courage to begin
the attack."
"I will tell you," replied Pontius quickly and decidedly. "On your side
good-will, plenty of assistants and night-watchers; on ours, the Caesar's
approval and plenty of gold."
After this the transaction came to a prompt and favorable issue, and the
architect could but express his entire approbation, in most cases, of the
sculptor's judicious and well-considered suggestions.
"Now I must go home," concluded Papias. "My assistants will proceed at
once with the necessary preparations. The work must be carried on behind
screens, so that no one may disturb us or hinder us with remarks."
Public-domain text, read in full here on John Shaqi.
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