Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English; Hadrian, Emperor of Rome, 76-138 -- Fiction
While he was still speaking he had plunged his powerful hands into the
yielding clay, and kneading and pinching like a practised modeller,
wiping off and pressing on, he formed a woman's face with a towering
structure of curls, which resembled Balbilla, but which reproduced every
conspicuous peculiarity with such whimsical exaggeration that Pollux
could not contain his delight. When at last Hadrian stepped back from
the happy caricature and called upon him to say whether that were not
indeed the Roman lady, Pollux exclaimed:
"It is as surely she, as you are not merely a great architect, but an
admirable sculptor. The thing is coarse, but unmistakably
characteristic."
The Emperor himself seemed to enjoy his artistic joke hugely, for he
looked at it, and laughed again and again. Pontius, however, seemed to
view it differently; he had listened with eager sympathy to the
conversation between Hadrian and the sculptor, and had watched the former
as he began his work; but as it went on he turned away, for he hated that
distortion of fine forms, which he often found that the Egyptians took a
special delight in. It was positively painful to him to see a graceful,
highly-gifted and defenceless creature, to whom, too, he felt himself
bound by ties of gratitude, mocked at in this way by such a man as
Hadrian. He had only to-day met Balbilla for the first time, but he had
heard from Titianus that she was staying at the Caesareum with the
Empress, and the prefect had also told him that she was the granddaughter
of that same governor, Claudius Balbillus, who had granted freedom to his
own grandfather, a learned Greek slave.
He had met her with grateful sympathy and devotion; her bright and lively
nature had delighted him, and at each thoughtless word she uttered he
would have liked to give her some warning sign, as though she were near
to him through some tie of blood, or some old established friendship that
might warrant his right to do so. The defiant, half gallant way in which
Verus, the dissipated lady-killer, had spoken to her had enraged him and
filled him with anxiety, and long after the illustrious visitors had left
Lochias he had thought of her again and again, and had resolved, if it
were possible, to keep a watchful eye on the descendant of the benefactor
of his family. He felt it as a sacred duty to shelter and protect her,
seeming to him as she did, an airy, pretty, defenceless song-bird.
Public-domain text, read in full here on John Shaqi.
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