Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English; Hadrian, Emperor of Rome, 76-138 -- Fiction
The many-voiced hum which incessantly buzzed in her ears, and the perfume
which rose from the attar in the orchestra had something intoxicating in
them. Her gaze round the assembled multitude could not disturb any one,
and her companion had found some friends with whom she was chattering and
laughing. Other ladies and young girls sat staring silently in front of
them, or studying the appearance of the rest of the audience, male and
female; while others again concentrated their whole attention on the
stage. Arsinoe soon followed this example, nor was this solely on
account of Pollux who, by the prefect's orders, had been enlisted among
the artists to whom the arrangement of the display was entrusted, in
spite of the objections of his master Papias. More than once before had
she seen the afternoon sun shine as brightly into the theatre as it did
to-day, and the blue sky overarching it without a cloud, but with what
different feelings did she now direct her gaze to the raised level behind
the orchestra. The background, it is true, was the same as usual, the
pillared front of a palace built entirely of colored marbles, and
ornamented with gold; but on this occasion fresh garlands of fragrant
flowers hung gracefully between the pilasters and across from column to
column. Several artists, the first of the city, with tablets and styla
in their hands were moving about among fifty girls and ladies, and
Plutarch himself, and the gentlemen with him, composed, as it were a
grand chorus which sometimes divided, and sometimes stood all together.
On the right side of the stage were three purple-covered couches. On one
of them sat Titianus, the prefect, who, like the artists, used his
pencil; with him was his wife Julia. On another reclined Verus, at full
length, and as usual, crowned with roses; the third was for Plutarch, but
was unoccupied. The praetor did not hesitate to interrupt any speaker,
as though he were the host of the entertainment, and many of his remarks
were followed by loud applause, or approving laughter.
The face and figure of the wealthy Plutarch, which could never be
forgotten, were not altogether strange to Arsinoe, for, a few days
previously he had shown himself for the first time in many years in his
papyrus factory, with an architect to settle with him how the courts and
rooms could best be cleaned and decorated for the reception of the
Emperor; and on this occasion he had gone into the room where she worked
and had pinched her cheek with a few roguish and flattering words.
Public-domain text, read in full here on John Shaqi.
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