The language of Japan naturally suggests some reference to its
literature, of which there is no lack, either ancient or modern. I
have dealt with this matter in some detail in a subsequent chapter.
The old literature of Japan is but little known to Europeans, and
probably most Europeans would be incapable of appreciating or
understanding it. It abounds in verbal artifices, and the whole habits
of life and modes of thought and conception of things, material and
spiritual, of the Japanese of those days were so totally different to
those of the European as to render it almost unintelligible to the
latter. There are, however, scholars who have waded through this
literature as also through the poetry of Japan and have found great
delight therein. In the process of translating an Oriental language,
full of depths of subtlety of thought and expressing Oriental ideas in
an Oriental manner, much, if not most, of its beauty and charm must be
lost. That is, I think, why the Japanese prose and poetry when
translated into English seem so bald and lifeless. We know by
experience that even a European language loses in the process of
translation which is, except in very rare instances, a purely
mechanical art. How much more so must be the case in regard to an
Oriental language with its depths of hyperbole and replete with
imagery, idealism, and flowery illustrations.
I have referred to the literature of modern Japan, the ephemeral
literature, in a chapter on its newspaper press. The modern
literature, whether ephemeral or otherwise, is distinctly not on
Oriental lines. The influence of the West permeates it. Distinctive
Japanese literature is, I imagine, a thing of the past, and I fear it
will be less and less studied as time goes on. Young Japan is a
"hustler," to use a modern word, and it has no time and mayhap not
much inclination for what it perhaps regards as somewhat effete
matter. It thinks hurriedly and acts rapidly, and it, accordingly,
aspires to express its thoughts and ideas through a medium which shall
do so concisely and effectively.
Public-domain text, read in full here on John Shaqi.
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