=43. Copperplate Engravers.= In a hasty reading of "Women Artists," we find mention made of a number of ladies occupied at various times, in different European countries, as copperplate engravers: in the sixteenth century, one in Holland, and one in Italy; in the seventeenth century, Germany produced seven, France one, Spain one, and Italy three; in the eighteenth century, Italy two, France one, and Denmark one. It may have been that some escaped my notice. Mr. S. told me he knew a family of copperplate engravers; but the daughters are now married. I saw a lady who engraves on copper; she had an office in New York. She was willing to instruct a lady on these terms: after the pupil had acquired about six months' practice, she would allow her half for all the work she did in six months more; then she could be at liberty to work for herself. She thinks a year sufficient time to acquire a good knowledge and practice of card engraving. She had spent a year at it irregularly, having no instructor, but asking advice and assistance now and then. In that way she did not obtain the custom she would have done by being known to others. The patience and careful attention to details requisite, and the sedentary nature of engraving, render it a more suitable occupation for women than men. To make a good card engraver, an educated eye, a steady hand, and ability to form letters gracefully, are the principal requisites. A card engraver told me he knew a lady who assisted her husband in his work, that of copperplate engraving. As the people of the United States become wealthy, and cultivate a taste for the fine arts, engravers will be more patronized. There is a collection of old and choice copperplate engravings in the possession of Mr. Plassman, who has a school of art in New York; there is also such a collection at the Historical rooms in the same city.