tragic falls from splendour to obscurity, in the long story of the
Byzantine Empresses.
Unfortunately, the coronation does not yet bring Verina plainly before
us, and we must pass the seventeen years of her husband’s reign almost
in silence. To explain this obscurity it is not enough to say that it
was the custom of the Byzantine Court to keep its women in seclusion.
As long as the stream of imperial life flowed evenly they were,
generally, content to idle the sunny hours behind the thick hedge of
eunuchs and maids, in some sequestered palace or other in the vast
gardens, where many fountains and the soft breath of the sea and leafy
groves cooled the air. They did not even feel the exclusion of women
from the tense sensations of the Hippodrome, for one could witness the
thrilling races from the windows in the upper gallery of the church
of St Stephen. But we shall see speedily enough that this ceremonious
seclusion no more intimidated the imperial women, when they _were_
imperial, from playing their part in public life than the pomp and
display of the palace intimidated the people of Constantinople from
talking to their monarch, when occasion arose, as if he were a village
chief. Verina remained quiet and obscure because life flowed evenly
and she had no cause to interfere with its course. The promptness with
which she sought, or accepted, consolation after the death of her
husband does not suggest that she was very deeply devoted to Leo. He
was, however, a shrewd and strong man, though rough and uncultivated,
and he seems to have left little room for his wife’s interference.
The Empress’s quarters in the palace, or assemblage of palaces, are
very imperfectly known to us. Daphne itself, the original palace, to
which later Emperors would raise stupendous rivals, cannot have had
very numerous apartments. It would assuredly not be possible to hide
a bishop there for years, as the Empress Theodora afterwards hid a
bishop in her apartments; to say nothing of the subterraneous dungeons
which Theodora is said to have filled with her prisoners. But there
were several detached palaces in the grounds, and no doubt the Empress
had the use of one of these, standing in its own gardens and groves,
and protected by its army of eunuchs. Verina had had one daughter,
Ariadne, before her elevation to the throne. A few years afterwards she
again gave promise of motherhood, and adjourned for delivery, as custom
demanded, to the Porphyra Palace by the sea, a small square mansion
whose walls were lined with red, white-spotted porphyry. But it was
another girl, Leontia, that she brought into the world, and who lay
beside her under the sheets of gold-cloth to receive the homage of the
notabilities.[3]
Public-domain text, read in full here on John Shaqi.
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