Their fate, they knew, was in the hands of one man, the commander of
the imperial guards, Asper. He was an Arian (or Unitarian), and could
not hope to occupy the throne which would soon be at his disposal. The
citizens of Constantinople were at least as wanton and passionate as
those of Rome had been, but they were fiercely devoted to the sound
doctrine of the Trinity, and they would have flung themselves against
the bronze gates and marble walls of the palace if an Arian had
ventured to don the purple. So Senators and Senators’ wives indulged
their conflicting hopes and paid their servile reverence to the dying
monarch and the vigorous barbarian commander.
Marcian died in the year 457, not without a superfluous rumour of
poison, and expectation rose to the height of fever when the worn
frame was entombed with all the rich ceremony of the Eastern Court.
Then there came the first of the long series of surprises and dramatic
successions which were to enliven Byzantine history for many a century.
Asper announced that his steward Leo, a tribune, or subordinate
officer, of the troops, was to receive the imperial crown. A barbaric
soldier and his wife were to occupy the golden throne, and all the
nobility of Constantinople hastened to kiss their purple slippers.
Leo the Isaurian is one of those quite unromantic figures which the
restless waves of Roman life often washed into the world of romance:
one of the many raw highlanders who had set out from Asia Minor to make
their fortune in the glittering metropolis of the East. A few years of
useful military service had won for him the rank of tribune and the
confidence of the commander, and Asper thought that he could rely on
the docility and gratitude of the big simple-featured soldier. Wholly
illiterate, with no larger experience than the control of Asper’s
servants, a man of rough, hairy face, powerful frame and blunt ways,
he suddenly found himself transferred to a throne that gleamed, as few
thrones did, with “the sands of Indus and the adamant of Golconda.”
Public-domain text, read in full here on John Shaqi.
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