The lower portion of this triangular area, a vast domain of more than
half-a-million square yards, sloping gradually to the silver shores
of the Sea of Marmora, was reserved for the imperial palaces and
gardens. Running parallel with the imperial palace, to the north, was
the Hippodrome, into which the story of the Empresses will repeatedly
take us. Like the Great Circus at Rome, on the model of which it was
built, it was the most commanding and venerated institution of the
frivolous people. Its spacious long-drawn arena was flanked by tiers
of seats which could accommodate tens of thousands of people--some
authorities say a hundred thousand people. A lofty imperial gallery,
the _kathisma_, surveyed the races and the spectators from the
north-eastern end, and a great purple awning gave protection from the
burning sun. Beyond the Hippodrome and the palace was the chief square
of the city, the Augusteum, which corresponded to the old Forum at Rome
or the Agora at Athens. Under the shelter of the double colonnade which
surrounded it the idlers of Constantinople held their endless fiery
discussions of the last chariot race, the last heresy, or the last
revolution: the studious bargained for books: the amorous made traffic
in love. It was the heart of the city. On the south side of it was the
great gate of the palace: on the north side the church, or cathedral,
of St Sophia: the Senate House faced it on the east: and from its
western side ran the main street of Constantinople, the Mese (or Middle
Street), lined with colonnades, which passed more or less continuously
along the central ridge of the triangular area which the city occupied.
A city was, in those days, and for many a century afterwards, a palace
and a cathedral: we can only say of the million citizens that they were
packed into the spaces not occupied by Church or State, especially
in the region between the Mese and the Golden Horn, where fire and
pestilence periodically fed on their crowded tenements.
Public-domain text, read in full here on John Shaqi.
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