Empresses -- Rome -- Biography; Women -- Rome -- Biography
The chaste and trembling Octavia, who was still only in her sixteenth
year, shrank from his brutal disdain. It was enough for her to have the
title of Empress, he said to his mother, when she urged the rights of
Octavia. Presently Nero declared that he would divorce her, and marry
the handsome Greek girl, but Seneca and Burrus succeeded in preventing
him. To check his disorders entirely they were quite powerless, and
they seem to have thought it better to direct, than to resist, his
vices. Suddenly, however, in the year 58, Nero transferred his passion
to the daughter of Poppæa Sabina, and began the long, tragic struggle
to secure her as his Empress.
Poppæa, who will be the next figure in our gallery of Roman Empresses,
and therefore may at once be introduced, was one of the prettiest,
vainest, and most discussed ladies in Rome. Her mother, with whom
we are already acquainted as one of Messalina’s victims, had been
the daughter of a very wealthy and illustrious provincial governor,
Poppæus Sabinus. Poppæa’s father, Titus Ollius, had been a friend of
Sejanus, and had been swept away in the flood of Tiberius’s anger.
She was, therefore, of mature years, but she had protected her charms
so industriously that she still had the soft beauty and the fresh
complexion of a girl. She had inherited also the wealth, the wit,
and--it is said--the easy morals of her mother. The pretence of
modesty which she made, by wearing a veil whenever she went abroad,
was redeemed by the splendour of her establishment and the elaborate
culture of her fair skin and pretty face. The mules which drew the
litter of the veiled lady were shod with gold, and the traces of their
harness were woven from gold thread. When she moved to her country
house, or to Baiæ, five hundred she-asses ran in the train of her
litter and cars, to provide the milk for her daily bath. If we may
trust the busts to which her name is attached, she had a childish grace
and delicacy of feature, instead of the tense face of the adventuress;
and we know that her amber-coloured hair was so much admired that it
set, or revived, a fashion in amber.
Public-domain text, read in full here on John Shaqi.
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