The Empty House and Other Ghost StoriesBlackwood, Algernon
General
The Empty House and Other Ghost Stories
Blackwood, Algernon
Ghost stories, English
THE EMPTY HOUSE
AND OTHER GHOST STORIES
BY
ALGERNON BLACKWOOD
AUTHOR OF
"JOHN SILENCE" "THE LOST VALLEY" ETC.
LONDON
EVELEIGH NASH COMPANY
LIMITED
1916
First Printed 1906
Uniform Edition 1915
Reprinted 1916
CONTENTS
THE EMPTY HOUSE
A HAUNTED ISLAND
A CASE OF EAVESDROPPING
KEEPING HIS PROMISE
WITH INTENT TO STEAL
THE WOOD OF THE DEAD
SMITH: AN EPISODE IN A LODGING-HOUSE
A SUSPICIOUS GIFT
THE STRANGE ADVENTURES OF A PRIVATE SECRETARY IN NEW YORK
SKELETON LAKE: AN EPISODE IN CAMP
THE EMPTY HOUSE
Certain houses, like certain persons, manage somehow to proclaim at once
their character for evil. In the case of the latter, no particular
feature need betray them; they may boast an open countenance and an
ingenuous smile; and yet a little of their company leaves the
unalterable conviction that there is something radically amiss with
their being: that they are evil. Willy nilly, they seem to communicate
an atmosphere of secret and wicked thoughts which makes those in their
immediate neighbourhood shrink from them as from a thing diseased.
And, perhaps, with houses the same principle is operative, and it is the
aroma of evil deeds committed under a particular roof, long after the
actual doers have passed away, that makes the gooseflesh come and the
hair rise. Something of the original passion of the evil-doer, and of
the horror felt by his victim, enters the heart of the innocent watcher,
and he becomes suddenly conscious of tingling nerves, creeping skin,
and a chilling of the blood. He is terror-stricken without apparent
cause.
There was manifestly nothing in the external appearance of this
particular house to bear out the tales of the horror that was said to
reign within. It was neither lonely nor unkempt. It stood, crowded into
a corner of the square, and looked exactly like the houses on either
side of it. It had the same number of windows as its neighbours; the
same balcony overlooking the gardens; the same white steps leading up to
the heavy black front door; and, in the rear, there was the same narrow
strip of green, with neat box borders, running up to the wall that
divided it from the backs of the adjoining houses. Apparently, too, the
number of chimney pots on the roof was the same; the breadth and angle
of the eaves; and even the height of the dirty area railings.
And yet this house in the square, that seemed precisely similar to its
fifty ugly neighbours, was as a matter of fact entirely
different--horribly different.
Public-domain text, read in full here on John Shaqi.
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