The Empty House and Other Ghost StoriesBlackwood, Algernon
General
The Empty House and Other Ghost Stories
Blackwood, Algernon
Ghost stories, English
At once thoughts connected somehow with fire and police flashed through
Jim's brain, but there were no sounds of voices with the steps, and he
reflected in the same moment that it could only be the old gentleman
keeping late hours and tumbling upstairs in the darkness. He was in the
act of turning out the gas and stepping into bed, when the house resumed
its former stillness by the footsteps suddenly coming to a dead stop
immediately outside his own room.
With his hand on the gas, Shorthouse paused a moment before turning it
out to see if the steps would go on again, when he was startled by a
loud knocking on his door. Instantly, in obedience to a curious and
unexplained instinct, he turned out the light, leaving himself and the
room in total darkness.
He had scarcely taken a step across the room to open the door, when a
voice from the other side of the wall, so close it almost sounded in his
ear, exclaimed in German, "Is that you, father? Come in."
The speaker was a man in the next room, and the knocking, after all, had
not been on his own door, but on that of the adjoining chamber, which he
had supposed to be vacant.
Almost before the man in the passage had time to answer in German, "Let
me in at once," Jim heard someone cross the floor and unlock the door.
Then it was slammed to with a bang, and there was audible the sound of
footsteps about the room, and of chairs being drawn up to a table and
knocking against furniture on the way. The men seemed wholly regardless
of their neighbour's comfort, for they made noise enough to waken the
dead.
"Serves me right for taking a room in such a cheap hole," reflected Jim
in the darkness. "I wonder whom she's let the room to!"
The two rooms, the landlady had told him, were originally one. She had
put up a thin partition--just a row of boards--to increase her income.
The doors were adjacent, and only separated by the massive upright beam
between them. When one was opened or shut the other rattled.
With utter indifference to the comfort of the other sleepers in the
house, the two Germans had meanwhile commenced to talk both at once and
at the top of their voices. They talked emphatically, even angrily. The
words "Father" and "Otto" were freely used. Shorthouse understood
German, but as he stood listening for the first minute or two, an
eavesdropper in spite of himself, it was difficult to make head or tail
of the talk, for neither would give way to the other, and the jumble of
guttural sounds and unfinished sentences was wholly unintelligible.
Then, very suddenly, both voices dropped together; and, after a moment's
pause, the deep tones of one of them, who seemed to be the "father,"
said, with the utmost distinctness--
"You mean, Otto, that you refuse to get it?"
There was a sound of someone shuffling in the chair before the answer
came. "I mean that I don't know how to get it. It is so much, father. It
is _too_ much. A part of it--"
Public-domain text, read in full here on John Shaqi.
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