"They’d raise hell at first, and put a can on it afterward. Families
always do."
"And what would Miss Follett feel—before they’d put on the can?"
Bob limped uneasily toward the door.
"Life wouldn’t be all slip-and-go-down for her, of course; but that’s
what I should have to make up to her."
"Oh, you’d make it up to her."
With his hand on the knob, Collingham turned in mild indignation.
"Say, Hubert, what do you think I’m made of? A girl I’m crazy about—"
"Oh, I only wondered how you were going to do it."
"Well, wonder away." A steely glint came into the deep-set, small gray
eyes as he added, "That’s something I don’t have to explain to you
beforehand, now do I?"
Left alone, the painter went on painting. As it always does, the house
of Art opened its door to the troubles of the artist. Wray neither
turned his head as his friend went out nor muttered a farewell. He
merely laid on his strokes with an emotional vigor which hardened the
surface of the plaster cast into marble. Neither did he turn his head
nor utter a greeting when he became aware that Jennie, in her sport suit
of tobacco color set off with collar and cuffs of ruby red, was moving
toward him among the studio properties. It was easier to work his desire
to look at her into this swift, sure wielding of the brush.
In the spirit rather than with the eyes he knew that she had paused
within ten or twelve feet of him, that her kind, soft, bantering glance
was resting on him as he worked, and that a kind, soft, bantering smile
was flickering about her lips. With a deft force, he found the colors
and gave this expression to the mouth and eyes of the kneeling girl. It
was the work of a second—the merest twist of the fingers.
"I just wanted to say," Jennie explained, after waiting for him to see
her, "that I’m sorry to have been so horrid just now, and I’d like to
know when I’m to come again."
"You could marry Bob Collingham—if you wanted to."
His efforts had become so passionately living that he couldn’t afford to
look up at her now, even had he wished to do so. He did not so wish,
because he knew, still in the spirit, how she would take this
announcement—without the change of a muscle, without a change of any
kind beyond a flame in the amber depths of the irises. It would be a
tawny flame, with an indescribable red in it, and he managed, on the
instant, to translate it into paint. The girl on her knees was getting a
soul as the lumpish white of the plaster cast was taking on the gleam of
ancient, long-worshiped stone.
"And would you advise me to do that?"
The voice had the charm of the well-placed mezzo, the enunciation a
melodious precision. Born in Halifax, where she had spent her first
twelve years, the English tradition of musical speech, which in that old
fortified town makes its last tottering stand on the American continent,
had been part of her inheritance.
Still working at his highest pitch of tensity, Wray considered his
answer.
Public-domain text, read in full here on John Shaqi.
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