British -- Italy -- Fiction; Domestic fiction; Female friendship -- Fiction; Italy -- Fiction; Love stories
She therefore said nothing, and allowed Mrs. Wilkins to leap at her
conclusions unchecked. But they did, both of them, for a whole day feel
that the only thing to be done was to renounce the mediaeval castle;
and it was in arriving at this bitter decision that they really
realised how acute had been their longing for it.
Then Mrs. Arbuthnot, whose mind was trained in the finding of ways out
of difficulties, found a way out of the reference difficulty; and
simultaneously Mrs. Wilkins had a vision revealing to her how to reduce
the rent.
Mrs. Arbuthnot’s plan was simple, and completely successful. She took
the whole of the rent in person to the owner, drawing it out of her
Savings Bank—again she looked furtive and apologetic, as if the clerk
must know the money was wanted for purposes of self-indulgence—and,
going up with the six ten pound notes in her hand-bag to the address
near the Brompton Oratory where the owner lived, presented them to him,
waiving her right to pay only half. And when he saw her, and her parted
hair and soft dark eyes and sober apparel, and heard her grave voice,
he told her not to bother about writing round for those references.
“It’ll be all right,” he said, scribbling a receipt for the rent. “Do
sit down, won’t you? Nasty day, isn’t it? You’ll find the old castle
has lots of sunshine, whatever else it hasn’t got. Husband going?”
Mrs. Arbuthnot, unused to anything but candour, looked troubled at this
question and began to murmur inarticulately, and the owner at once
concluded that she was a widow—a war one, of course, for other widows
were old—and that he had been a fool not to guess it.
“Oh, I’m sorry,” he said, turning red right up to his fair hair. “I
didn’t mean—h’m, h’m, h’m—”
He ran his eye over the receipt he had written. “Yes, I think that’s
all right,” he said, getting up and giving it to her. “Now,” he added,
taking the six notes she held out and smiling, for Mrs. Arbuthnot was
agreeable to look at, “I’m richer, and you’re happier. I’ve got money,
and you’ve got San Salvatore. I wonder which is best.”
“I think you know,” said Mrs. Arbuthnot with her sweet smile.
He laughed and opened the door for her. It was a pity the interview was
over. He would have liked to ask her to lunch with him. She made him
think of his mother, of his nurse, of all things kind and comforting,
besides having the attraction of not being his mother or his nurse.
“I hope you’ll like the old place,” he said, holding her hand a minute
at the door. The very feel of her hand, even through its glove, was
reassuring; it was the sort of hand, he thought, that children would
like to hold in the dark. “In April, you know, it’s simply a mass of
flowers. And then there’s the sea. You must wear white. You’ll fit in
very well. There are several portraits of you there.”
“Portraits?”
“Madonnas, you know. There’s one on the stairs really exactly like
you.”
Public-domain text, read in full here on John Shaqi.
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