My first impulse was to flee the house, to go out into the night and
pace the fields--possibly to rush out to the golf links and play a few
holes in the dark in order to cool my brow, which was rapidly becoming
fevered. Fortunately, however, I am not a man of impulse. I never yield
to a mere nerve suggestion, and so, instead of going out into the storm
and certainly contracting pneumonia, I walked boldly into the library to
investigate the causes of the very extraordinary incident. You may rest
well assured, however, that I took care to go armed, fortifying myself
with a stout stick, with a long, ugly steel blade concealed within it--a
cowardly weapon, by-the-way, which I permit to rest in my house merely
because it forms a part of a collection of weapons acquired through the
failure of a comic paper to which I had contributed several articles.
The editor, when the crash came, sent me the collection as part payment
of what was owed me, which I think was very good of him, because a great
many people said that it was my stuff that killed the paper. But to
return to the story. Fortifying myself with the sword-cane, I walked
boldly into the library, and, touching the electric button, soon had
every gas-jet in the room giving forth a brilliant flame; but these,
brilliant as they were, disclosed nothing in the chair before the
machine.
The latter, apparently oblivious of my presence, went clicking merrily
and as rapidly along as though some expert young woman were in charge.
Imagine the situation if you can. A type-writing machine of ancient
make, its letters clear, but out of accord with the keys, confronted by
an empty chair, three hours after midnight, rattling off page after page
of something which might or might not be readable, I could not at the
moment determine. For two or three minutes I gazed in open-mouthed
wonder. I was not frightened, but I did experience a sensation which
comes from contact with the uncanny. As I gradually grasped the
situation and became used, somewhat, to what was going on, I ventured a
remark.
“This beats the deuce!” I observed.
The machine stopped for an instant. The sheet of paper upon which the
impressions of letters were being made flew out from under the cylinder,
a pure white sheet was as quickly substituted, and the keys clicked off
the line:
“What does?”
I presumed the line was in response to my assertion, so I replied:
“You do. What uncanny freak has taken possession of you to-night that
you start in to write on your own hook, having resolutely declined to do
any writing for me ever since I rescued you from the dust and dirt and
cobwebs of the attic?”
“You never rescued me from any attic,” the machine replied. “You'd
better go to bed; you've dined too well, I imagine. When did you rescue
me from the dust and dirt and the cobwebs of any attic?”
Public-domain text, read in full here on John Shaqi.
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