“I have only three,” she answered, and taking a piece of swan's-down,
a lock of golden hair, and a pair of silver-tinsel tights from her
portmanteau she handed them over to me.
My first impulse was to ask the lady if she remembered the name of the
asylum from which she had escaped, but I fortunately refrained from
doing so, and she shortly left me, promising to return at the end of the
week.
For three days I puzzled over the clews. Swan's-down, yellow hair, and a
pair of silver-tinsel tights, while very interesting no doubt at times,
do not form a very solid basis for a theory establishing the identity of
so regal a person as my visitor. My first impression was that she was a
vaudeville artist, and that the exhibits she had left me were a part of
her make-up. This I was forced to abandon shortly, because no woman with
the voice of my visitor would sing in vaudeville. The more ambitious
stage was her legitimate field, if not grand opera itself.
At this point she returned to my office, and I of course reported
progress. That is one of the most valuable things I learned while on
earth--when you have done nothing, report progress.
“I haven't quite succeeded as yet,” said I, “but I am getting at it
slowly. I do not, however, think it wise to acquaint you with my present
notions until they are verified beyond peradventure. It might help me
somewhat if you were to tell me who it is you think you are. I could
work either forward or backward on that hypothesis, as seemed best, and
so arrive at a hypothetical truth anyhow.”
“That's just what I don't want to do,” said she. “That information might
bias your final judgment. If, however, acting on the clews which you
have, you confirm my impression that I am such and such a person, as
well as the views which other people have, then will my status be well
defined and I can institute my suit against my husband for a judicial
separation, with back alimony, with some assurance of a successful
issue.”
I was more puzzled than ever.
“Well,” said I, slowly, “I of course can see how a bit of swan's-down
and a lock of yellow hair backed up by a pair of silver-tinsel tights
might constitute reasonable evidence in a suit for separation, but
wouldn't it--ah--be more to your purpose if I should use these data as
establishing the identity of--er--somebody else?”
“How very dense you are,” she replied, impatiently. “That's precisely
what I want you to do.”
“But you told me it was your identity you wished proven,” I put in,
irritably.
“Precisely,” said she.
“Then these bits of evidence are--yours?” I asked, hesitatingly. One
does not like to accuse a lady of an undue liking for tinsel.
“They are all I have left of my husband,” she answered with a sob.
“Hum!” said I, my perplexity increasing. “Was the--ah--the gentleman
blown up by dynamite?”
Public-domain text, read in full here on John Shaqi.
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