Dante, in his "Inferno," deals out to the lost souls various tortures
suited with dramatic fitness to the past crimes of the victims, and
had I to execute judgment on the criminal binders of certain precious
volumes I have seen, where the untouched maiden sheets entrusted to
their care have, by barbarous treatment, lost dignity, beauty and value,
I would collect the paper shavings so ruthlessly shorn off, and roast
the perpetrator of the outrage over their slow combustion. In olden
times, before men had learned to value the relics of our printers, there
was some excuse for the sins of a binder who erred from ignorance which
was general; but in these times, when the historical and antiquarian
value of old books is freely acknowledged, no quarter should be granted
to a careless culprit.
It may be supposed that, from the spread of information, all real danger
from ignorance is past. Not so, good reader; that is a consummation as
yet "devoutly to be wished." Let me relate to you a true bibliographical
anecdote: In 1877, a certain lord, who had succeeded to a fine
collection of old books, promised to send some of the most valuable
(among which were several Caxtons) to the Exhibition at South
Kensington. Thinking their outward appearance too shabby, and not
knowing the danger of his conduct, he decided to have them rebound
in the neighbouring county town. The volumes were soon returned in a
resplendent state, and, it is said, quite to the satisfaction of his
lordship, whose pleasure, however, was sadly damped when a friend
pointed out to him that, although the discoloured edges had all been
ploughed off, and the time-stained blanks, with their fifteenth century
autographs, had been replaced by nice clean fly-leaves, yet, looking at
the result in its lowest aspect only--that of market value--the books
had been damaged to at least the amount of L500; and, moreover,
that caustic remarks would most certainly follow upon their public
exhibition. Those poor injured volumes were never sent.
Public-domain text, read in full here on John Shaqi.
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