A mile beyond Samaden are Celerina and Cresta, now merged into one.
Plate II. is a view on the way: in the background Piz Albriz, on the
right a buttress of the sombre Piz Chalchaign, Pontresina in middle
distance; nearer, standing lorn among the tombs on a little
larch-clad hill, the ancient church of San Gian, which, except for
funerals, is now disused; in the meadowed floor of the valley the Inn
rests in quiet reaches after its furious descent from the lakes; its
clear waters are joined by those of the Flaz from Val Bernina, turbid
with 'the dust of continents to be,' and larger in volume than those
of the stream in which after their confluence its name and
individuality are lost; in the triangle between the rivers are the
Samaden golf links. The most famous and fatal of toboggan runs
descends between St. Moritz and Cresta.
Between Celerina and St. Moritz the rail threads the romantic
Charnadura gorge above the raging Inn. At the upper end is a fine
fall by which the water descends from the lake of St. Moritz, the
lowest of the chain of blue-green lakes that form {13} the
characteristic charm of the upper reaches of the Engadine.
St. Moritz strikes one on arrival as a town of hotels. Happily,
hotels are becoming sensible that they cannot afford to be unsightly
outrages on the scenery that is their _raison d'être_. An example of
this is the Hôtel Margna, designed by Signur Nichol Hartmann, in whom
the Engadine possesses an architect imbued with the spirit of its
characteristic and picturesque style of building, and with unfailing
resource in adapting it to modern requirements and utilizing old
construction. 'Only a matter of appearance,' said a practical
companion when I was hesitating to enter a restaurant that disfigured
a lovely nook of tarn and fell. It was said with a superior air of
appealing to higher considerations, much as Solomon, in extolling the
God-fearing woman, reminds us that favour is deceitful and beauty is
vain. But, after all, what is scenery save a matter of appearance?
In fact, Switzerland lives on appearances, and it is but business to
take them into account in catering for the thousands who are
attracted thither, not by the sterling virtues of the inhabitants,
but by the superficial beauty of the land.
St. Moritz, seated on a spur of hill at the head of the lake, is the
highest village in the Engadine, being some 200 feet higher than the
Maloja Pass at the head of the valley. At the highest point is the
old church, no longer used, whose interesting belfry seems {14}
leaning to its fall. The inestimable Swiss periodical _Heimatschutz_
has pointed a salutary architectural moral by presenting this
neglected tower with its simple proportions and vestiges of good work
side by side with the modern parish church, a painstaking example of
bad taste.
Public-domain text, read in full here on John Shaqi.
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