The English and Scottish popular ballads, volume 1 (of 5)
General
The English and Scottish popular ballads, volume 1 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
Seven ladies livd in a bower,
Hey down and ho down
And aye the youngest was the flower.
Hey down and ho down
#G.#
_The stanzas are not divided in Herd._
#H.#
_4 is crossed through in the MS., but no reason given._
[94] In his note-book, p. 117, Motherwell writes, with less than his
usual discretion: "The ballad of Bothwell, Cospatric, or Gil Brenton,
appears to be copied from an account of the birth of Makbeth given by
Wintown." The substance of this account is, that Macbeth's mother had a
habit of repairing to the woods for wholesome air, and that, during one
of her rambles, she fell in with a fair man, really the Devil, who
passed the day with her, and got on her a son.
"And of that dede in taknyng
He gave his lemman thare a ryng,
And bad hyr that scho suld kepe that wele,
And hald for hys luve that jwele."
_Cronykil_, Book VI, ch. xviii, 57-90.
[95] Scott says: "Cospatrick, Comes Patricius;" but Cos- (Gos-)patrick
is apparently Servant of Patrick, like Gil-patrick (Kil-patrick). Mr
Macmath suggests to me that Gil Brenton may have originally been
Gil-brandon, which seems very likely. See Notes and Queries, 5th S., x,
443.
[96] A fragment in Rancken's 'Några Prof af Folksång,' p. 14 f, belongs
not to 'Riddar Olle,' as there said, but to 'Herr Äster och Fröken
Sissa,' though the burden is 'Riddar Olof.' Other verses, at p. 16,
might belong to either. 'Riddar Ola,' E. Wigström's Folkdiktning, p. 37,
No 18, belongs with the Danish 'Guldsmedens Datter,' Grundtvig No 245.
[97] The inquiry seems to refer to the morning gift. "Die Morgengabe ist
ein Geschenk des Mannes als Zeichen der Liebe (in signum amoris), für
die Uebergabe der vollen Schönheit (in honore pulchritudinis) und der
Jungfräulichkeit (pretium virginitatis)." Weinhold, Die deutschen Frauen
in dem Mittelalter, S. 270.
[98] And again, "Is it the saddle, your horse, or your true-love?"
almost exactly as in our #B#, #E#, #F#, Grundtvig, 40 #C#, #E#, #F#,
Afzelius, 91, Landstad, 45, 52. So the Scottish ballad, 'The Cruel
Brother,' #B# 15 f.
[99] The auld belly-blind man in 'Earl Richard,' 44^3, 45^1, Kinloch's
A. S. Ballads, p. 15, retains the bare name; and Belly Blind, or Billie
Blin, is the Scotch name for the game of Blindman's-buff.
[100] Gisbertus Voetius, De Miraculis, Disput., II, 1018. Cited also by
Schmeller, Bayerisches Wörterbuch, from J. Prætorius's Alectryomantia,
p. 3.
[101] Merlin, in Layamon, V. 17130 ff (as pointed out by Grundtvig, I,
274), says that his mind is balewise, "mi gæst is bæliwis," and that he
is not disposed to gladness, mirth, or good words.
6
WILLIE'S LADY
#a.# 'Willie's Lady,' Fraser-Tytler MS.
#b.# 'Sweet Willy,' Jamieson-Brown MS., No 15, fol. 33.
Public-domain text, read in full here on John Shaqi.
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