The English and Scottish popular ballads, volume 1 (of 5)
General
The English and Scottish popular ballads, volume 1 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
Three Swedish versions of the ballad have been printed. #A#, #B#, from
tradition of this century, are given by Arwidsson, II, 252 ff, 'Liten
Kerstins Förtrollning,' No 134. These resemble the Danish ballads of the
second class closely. Liten Kerstin goes to her mother's house, gives
birth to two children, and dies. In #A# the children are a son and
daughter. The son stands up, combs his hair, and says, "I am forty weeks
on in my ninth year." He can run errands in the village, and the
daughter sew red silk. In #B# both children are boys. One combs his
hair, and says, "Our grandmother shall be put on two wheels." The other
draws his sword, and says, "Our mother is dead, our grandmother to
blame. I hope our mother is with God. Our grandmother shall be laid on
seven wheels." The other copy, #C#, mentioned by Grundtvig as being in
Cavallius and Stephens' manuscript collection, has been printed in the
Svenska Fornminnesföreningens Tidskrift, vol. ii, p. 72 ff, 1873-74. It
dates from the close of the sixteenth century, and resembles the mixed
ballads of the Danish first class, combining the flitting to the
father's house with the artifice of the wax children. The conclusion of
this ballad has suffered greatly. After the two sons are born, we are
told that Kirstin, before unmentioned, goes to the chest and makes a wax
child. If the chest were moved, Elin would be free of her child. And
then the boy stands up and brushes his hair, and says he has come to his
eighth year.
Three stanzas and some of the incidents of a #Norwegian# version of this
ballad have been communicated to Grundtvig, III, 858 f, No 84 c, by
Professor Sophus Bugge. The only place which was unaffected by a spell
was where Signelíti's bride-chest stood, and the chest being removed,
the birth took place. The witch was a step-mother, as in Danish #A#.
Public-domain text, read in full here on John Shaqi.
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