The English and Scottish popular ballads, volume 1 (of 5)
General
The English and Scottish popular ballads, volume 1 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
'Erlinton' (#A#) first appeared in the Minstrelsy of the Scottish
Border, the text formed "from the collation of two copies obtained from
recitation." #B# is a manuscript copy, furnished by the late Mr Robert
White of Newcastle, and was probably taken down from recitation by Mr
James Telfer early in the century. #C#, in which Robin Hood has taken
the place of a hero who had at least _connections_ out of Great Britain,
was first printed in Gutch's Robin Hood, from a manuscript of Mr Payne
Collier, supposed to have been written about 1650.
This ballad has only with much hesitation been separated from the
foregoing. In this as in that, a man induces a maid to go off with him;
he is set upon by a party of fifteen in #A#, #B#, as in 7 #A#; and he
spares the life of one of his assailants [an old man, #A#, #B#, the
younger brother, #C#]. Some agreements as to details with Scandinavian
Ribold ballads have already been noticed, and it has been observed that
while there is no vestige of the dead-naming in 'Earl Brand,' there is
an obvious trace of it in 'Erlinton' #A#, #B#. 'Erlinton' #A#, #B# has
also one other correspondence not found in 'Earl Brand,'--the strict
watch kept over the lady (st. 2). Even the bigly bower, expressly built
to confine her in, is very likely a reminiscence or a displacement of
the tower in which Hilde is shut up, _after_ her elopement, in some of
the Scandinavian ballads (Danish 83 #A#, #B#; Swedish #A#, dark house).
But notwithstanding these resemblances to the Ribold story, there is a
difference in the larger part of the details, and all the 'Erlinton'
ballads have a fortunate conclusion, which also does not seem forced, as
it does in Arwidsson, 107, the only instance, perhaps, in which a
fortunate conclusion in a Ribold ballad is of the least account; for
Grundtvig's #F#, #G# are manifestly copies that have been tampered with,
and Landstad 34 is greatly confused at the close. It may be an absolute
accident, but 'Erlinton' #A#, #B# has at least one point of contact with
the story of Walter of Aquitania which is not found in 'Earl Brand.'
This story requires to be given in brief on account of its kinship to
both.
Public-domain text, read in full here on John Shaqi.
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