The English and Scottish popular ballads, volume 1 (of 5)
General
The English and Scottish popular ballads, volume 1 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
This is one of the very few old ballads which are not extinct as
tradition in the British Isles. Even drawing-room versions are spoken of
as current, "generally traced to some old nurse, who sang them to the
young ladies."[126] It has been found in England, Scotland, Wales, and
Ireland, and was very early in print. Dr Rimbault possessed and
published a broadside of the date 1656[127] (#A a#), and the same copy
is included in the miscellany called Wit Restor'd, 1658. Both of these
name "Mr Smith" as the author; that is, Dr James Smith, a well-known
writer of humorous verses, to whom the larger part of the pieces in Wit
Restor'd has been attributed. If the ballad were ever in Smith's hands,
he might possibly have inserted the three burlesque stanzas, 11-13; but
similar verses are found in another copy (#L a#), and might easily be
extemporized by any singer of sufficiently bad taste. Wit and Drollery,
the edition of 1682, has an almost identical copy of the ballad, and
this is repeated in Dryden's Miscellany, edition of 1716, Part III, p.
316. In 1781 Pinkerton inserted in his Tragic Ballads one with the title
'Binnorie,' purporting to be from Scottish tradition. Of twenty-eight
couplets, barely seven are genuine. Scott printed in 1802 a copy (#C#)
compounded from one "in Mrs Brown's MS." (#B b#) and a fragment of
fourteen stanzas which had been transcribed from recitation by Miss
Charlotte Brooke, adopting a burden found in neither.[128] Jamieson
followed, four years after, with a tolerably faithful, though not, as he
says, _verbatim_, publication of his copy of Mrs Brown's ballad,
somewhat marred, too, by acknowledged interpolations. This text of Mrs
Brown's is now correctly given, with the whole or fragments of eleven
others, hitherto unpublished.
The ballad is as popular with the Scandinavians as with their Saxon
cousins. Grundtvig, 'Den talende Strengeleg,' No 95, gives nine #Danish#
versions and one stanza of a tenth; seven, #A-E#, in II, 507 ff, the
remainder, #H-K#, in III, 875 ff. One more, #L#, is added by Kristensen,
No 96, I, 253. Of these, only #E# had been previously printed. All are
from tradition of this century.
There are two #Icelandic# versions, #A# from the 17th, #B# from the
19th, century, printed in Íslenzk Fornkvæði, No 13, 'Hörpu kvæði.'
Of twelve #Norwegian# versions, #A#, by Moe, "is printed in Norske
Universitets og Skole-Annaler for 1850, p. 287," and in Moe's Samlede
Skrifter, II, 118, 'Dæ bur ein Mann hær utmæ Aa;' #B#, by Lindeman,
Annaler, as before, "p. 496," and in his Norske Fjeldmelodier, vol. I,
Tekst-Bilag, p. 4, No 14, 'Dei tvæ Systa;' #C#, by Landstad, 'Dei tvo
systar,' No 53, p. 480; #D-L# are described by Professor Bugge in
Grundtvig, III, 877 f; #M# "is printed in Illustreret Nyhedsblads
Nytaarsgave for 1860, p. 77, Christiania."
Public-domain text, read in full here on John Shaqi.
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