The English and Scottish popular ballads, volume 1 (of 5)
General
The English and Scottish popular ballads, volume 1 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
Mr Child's sudden death was felt as a bitter personal loss, not only by
an unusually large circle of attached friends in both hemispheres, but
by very many scholars who knew him through his works alone. He was one
of the few learned men to whom the old title of "Master" was justly due
and freely accorded. With astonishing erudition, which nothing seemed to
have escaped, he united an infectious enthusiasm and a power of lucid
and fruitful exposition that made him one of the greatest of teachers,
and a warmth and openness of heart that won the affection of all who
knew him. In most men, however complex their characters, one can
distinguish the qualities of the heart, in some degree, from the
qualities of the head. In Professor Child no such distinction was
possible, for all the elements of his many-sided nature were fused in
his marked and powerful individuality. In his case, the scholar and the
man cannot be separated. His life and his learning were one; his work
was the expression of himself.
As an investigator Professor Child was at once the inspiration and the
despair of his disciples. Nothing could surpass the scientific exactness
of his methods and the unwearied diligence with which he conducted his
researches. No possible source of information could elude him; no book
or manuscript was too voluminous or too unpromising for him to examine
on the chance of its containing some fact that might correct or
supplement his material, even in the minutest point. Yet these qualities
of enthusiastic accuracy and thoroughness, admirable as they undoubtedly
were, by no means dominated him. They were always at the command of the
higher qualities of his genius,--sagacity, acumen, and a kind of
sympathetic and imaginative power in which he stood almost alone among
recent scholars. No detail of language or tradition or archæology was to
him a mere lifeless fact; it was transmuted into something vital, and
became a part of that universal humanity which always moved him wherever
he found it, whether in the pages of a mediæval chronicle, or in the
stammering accents of a late and vulgarly distorted ballad, or in the
faces of the street boys who begged roses from his garden. No man ever
felt a keener interest in his kind, and no scholar ever brought this
interest into more vivifying contact with the technicalities of his
special studies. The exuberance of this large humanity pervades his
edition of the English and Scottish ballads. Even in his last years,
when the languor of uncertain health sometimes got the better, for a
season, of the spirit with which he commonly worked, some fresh bit of
genuine poetry in a ballad, some fine trait of pure nature in a stray
folk-tale, would, in an instant, bring back the full flush of that
enthusiasm which he must have felt when the possibilities of his
achievement first presented themselves to his mind in early manhood. For
such a nature there was no old age.
Public-domain text, read in full here on John Shaqi.
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