The English and Scottish popular ballads, volume 3 (of 5) — John Shaqi
The English and Scottish popular ballads, volume 3 (of 5)
General
The English and Scottish popular ballads, volume 3 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
“The version of the ballad here given is partly copied from those
printed in the Border Minstrelsy and in the publications of
Messrs Kinloch and Motherwell, and is partly taken from the
recitation of a lady resident at Peebles and from a manuscript
copy submitted to me by Mr Kinloch. The twelfth, thirteenth,
fourteenth, sixteenth, seventeenth, twenty-first, twenty-second,
twenty-third, twenty-sixth, and twenty-seventh stanzas are here
printed for the first time.” _Chambers. The 14th stanza had been
printed by Scott, #F# 12; the 23d, repeated here (6), by
Pinkerton; the 27th is #D# 20. The first half of the 12th is #D#
13^{1,2}, and the remainder Chambers’s own: compare his 11 and
#F# 11, from which it seems to have been made._
#L.#
“I have heard another version, where Johnnie is slain and thrown
‘owre a milk-white steed.’ News is sent to Johnnie’s mother, who
flies to her son; But aye at ilka ae mile’s end, etc.”
#M.#
“While she [Carlyle’s mother] was at Craigenputtock, I made her
train me to two song-tunes; and we often sang them together, and
tried them often again in coming down into Annandale.” _The last
half of the stanza is cited. Letter of T. Carlyle, May 18, 1834,
in Froude’s Life, 1795–1835_, II, _335_.
“Mrs Aitken, sister of T. Carlyle, sent me [January 15, 1884] the
first two lines to complete the stanza of this Johny Cock, but
can call up no more of the ballad.” _Letter of Mr Macmath._
115
ROBYN AND GANDELEYN
Sloane MS., 2593, fol. 14 b, British Museum.
Printed by Ritson, Ancient Songs, 1790, p. 48, and by Thomas Wright,
Songs and Carols (selected from the Sloane MS.), No X, London, 1836, and
again in his edition of the whole MS. for the Warton Club, 1856, p. 42.
The manuscript is put at about 1450.
Public-domain text, read in full here on John Shaqi.
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