Immediately thereafter comes information that the outlaws had slain the justice and the sheriff, the mayor of Carlisle, all the constables and catchpolls, the sergeants of the law, forty foresters, and many more. This makes the king so sad that he can eat no more; but he wishes to see these fellows shoot that have wrought all this woe. The king’s archers and the queen’s go to the butts with the three yeomen, and the outlaws hit everything that is set up. Cloudesly holds the butts too wide for a good archer, and the three set up two hazel rods, twenty score paces apart; he is a good archer, says Cloudesly, that cleaves one of these. The king says no man can do it; but Cloudesly cleaves the wand. The king declares him the best archer he ever saw. William says he will do a greater mastery: he will lay an apple on his son’s head (a boy of seven), and split it in two at six score paces. The king bids him make haste so to do: if he fail, he shall be hanged; and if he touch the boy, the outlaws shall be hanged, all three. Cloudesly ties the child to a stake, turning its face from him, sets an apple on its head, and, begging the people to remain quiet, cleaves the apple in two. The king gives Cloudesly eighteen pence a day as his bowman, and makes him chief rider over the North Country. The queen adds twelve pence, makes him a gentleman of cloth and fee and his two brothers yeomen of her chamber, gives the boy a place in her wine-cellar, and appoints Alice her chief gentlewoman and governess of her nursery. The yeomen express their thanks, go to Rome [to some bishop, in the later copy] to be absolved of their sins, live the rest of their lives with the king, and die good men, all three. The rescue of Robin Hood by Little John and Much in No 117, sts 61–82, has a general resemblance to the rescue of Cloudesly by Adam and Clim in this ballad, st. 52 ff. The rescue of Will Stutly has also some slight similarity: cf. No 141, sts 26–33, and 70, 79–81, of ‘Adam Bell.’ The shooting of an apple from a boy’s head, sts 151–62, is, as is well known, a trait in several German and Norse traditions, and these particular feats, as well as everything resembling them, have been a subject of eager discussion in connection with the apocryphal history of William Tell.