The English and Scottish popular ballads, volume 3 (of 5)
General
The English and Scottish popular ballads, volume 3 (of 5)
Ballads, English -- England -- Texts; Ballads, Scots -- Scotland -- Texts
Punker, a warlock of Rorbach (a town not far from Heidelberg), had
obtained from the devil, as the regular recompense for his having thrice
pierced the crucifix, the power of making three unerring shots daily,
and had so been able to pick off in detail all but one of the garrison
of a besieged town. To put his skill to proof, a certain nobleman
ordered him to shoot a piece of money from his own son’s head. Punker
wished to be excused, for he feared that the devil might play him false;
but being induced to make the trial, knocked the coin from the boy’s
cap, doing him no damage. Before shooting, he had stuck another arrow
into his collar, and asked why, replied that if the devil had betrayed
him, and he had killed the child, he would have sent the other bolt
through the body of the person who had obliged him to undertake the
performance. Malleus Maleficarum, Pars II, Quæstio I, c. xvi.[14] The
date of the transaction is put at about 1420.
The last three forms of this tradition have the unimportant variations
of brother and brother, or uncle and nephew, for father and son, and of
nut, chessman, or coin for apple.
The story is German-Scandinavian, and not remarkably extended.[15] The
seven versions agree in two points: the shot is compulsory; the archer
meditates revenge in case he harms the person on whose head the mark is
placed.[16] These features are wanting in the English ballad. William of
Cloudesly offers of his own free motion to shoot an apple from his son’s
head, and this after the king had declared him the best archer he had
ever seen, for splitting a hazel-rod at twenty score paces; so that the
act was done purely for glory. To be sure, the king threatens him with
death if he does not achieve what he has undertaken, as death is also
threatened in four of the seven German-Scandinavian stories for refusal
to try the shot or for missing; but the threats in sts 154 f of the
English ballad are a revival of the vow in sts 119 f. Justice has been
balked by the unconditional boon granted the queen; aggravating and
exasperating circumstances have come to light since this unadvised grace
was conceded, and a hope is presented for a pretext under which the king
may still hang the outlaws, all three. The shooting of the apple from
the boy’s head, isolated from any particular connection, is perhaps all
of the German-Scandinavian story that was known to the English
ballad-maker, and all minor resemblances may well be fortuitous.[17]
If the shooting of an apple by somebody from somebody’s head is to be
regarded as the kernel of the story, its area may then be considerably
extended.
Public-domain text, read in full here on John Shaqi.
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