Other tales of the same derivation, but deficient in some points, are: (=A.=) Radloff, Proben der Volkslitteratur der türkischen Stämme Süd-Sibiriens, IV, 385, ‘Der Peri.’ (=B.=) Straparola, Piacevoli Notti, v, 1 (‘Guerrino, son of the king of Sicily’). (=C.=) Grimms, K.- und Hausmärchen, No 136, II, 242, ed. 1857, ‘Der Eisenhaus.’ (=D.=) Sommer, Sagen, Märchen und Gebräuche aus Sachsen und Thüringen, p. 86, No 2, ‘Der eiserne Mann.’ (=E.=) Milenowsky, Volksmärchen aus Böhmen, p. 147, ‘Vom wilden Manne.’[48] (1) The son of a king liberates a prisoner (peri, wild or iron man), =A-E=. (The keys are under his mother’s pillow, =B=, =C=.) (2) The prince goes to another kingdom, =A-D= with attendance, =E= without. (3) His attendant forces the prince to change places and clothes, only =A=. (Advantage is taken of the helplessness of the hero when let down into the well to force exchange of parts, in the Servian Tales of Dj. K. Stefanović, 1871, p. 39, No 7, Jagić, Archiv, I, 271; Meyer, Albanian Tales, No 13, in Archiv für Litteraturgeschichte, XII, 137; Franzisci, Cultur-Studien in Kärnten, p. 99, and, nearly the same, Dozon, Contes Albanais, No 12, p. 83.) (5) The hero, serving as kitchen-boy or gardener’s lad, =C=, =D=, =E=, defeats an invading army, =C=, =D=, =E=, wins a prize three successive days, =C=, =E=, is successful in three tasks, =A=, =B=; and all these feats are performed by the help of the prisoner whom he set free. The variation of the color of armor and horses occurs in =C=, =E=, an extremely frequent trait in tales and romances; see Ward, Catalogue of Romances, etc., 734 f., Lengert, XVII, 361. (Very striking in the matter of the tournaments is the resemblance of the romance of Ipomedon to Roswall and Lillian. Ipomedon, like Roswall, professes not to have been accustomed to such things, and pretends to go a-hunting, is victorious three successive days in a white, red, black suit, on a white, bay, black steed, vanishes after the contest, and presently reappears as huntsman, with venison which a friend had been engaged in securing for him.) (6) The treacherous attendant is put to death, =A=. The hero of course marries the princess in all the tales.