The English Flower Garden: with illustrative notesBright, Henry Arthur
History
The English Flower Garden: with illustrative notes
Bright, Henry Arthur
Flower gardening -- England; Gardens -- England
It is curious how apparent extremes will meet. The very men who would
most readily throw over the old theological argument of “design,”
which believed that everything was done in the most perfect way for
the most perfect ends, will now in the interests of evolution show
the necessity for each curve of a flower-cup and for each marking on
a petal. We cannot be too thankful to them, if only they will make
their ground sure at every step; but it will not do to generalize too
rapidly. For instance, it has been stated that veins on a flower are
probably guides to lead insects down into the honey-cup below, and that
night-blowing flowers are without them because at night they would be
invisible and useless. Unfortunately, it has since been shown that the
_Œnothera taraxicifolia_, and probably other night-flowers, are deeply
marked with veins. Again, why in some cherry-blossoms is the pistil
longer than the stamens, so that the fertilization must be effected
differently to what it is in the more ordinary varieties, where the
stamens and pistil are of equal length? Why have blossoms gradually
developed properties to attract insects, when it is obvious that
those properties were not originally required for the perpetuation of
the species? Why should some flowers of magnificent size, like the
magnolia, require scent to attract insects, if we must indeed admit
that use and not pleasure is the end and aim of every attraction of the
garden? And if scent is necessary in this case, why is it not so where
the flower is small and insignificant? Why among roses has La France a
delicious perfume, and Baroness Rothschild none?
But such questionings are inevitable as yet: meanwhile facts are
accumulating, and the whole truth, thanks to the patient and laborious
workers of our time, may one day be known.
Public-domain text, read in full here on John Shaqi.
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