[Illustration: FIG. 201.--The Court, Holt, near
Bradford-on-Avon.]
[Illustration: FIG. 202.--The Church House, Beckley, Sussex.]
[Illustration: FIG. 203.--House in the High, Oxford.]
[Illustration: FIG. 204.--House at Shrivenham, Berkshire.]
[Illustration: FIG. 205.--House (now the “Seahorse” Inn) at
Deene, Northamptonshire.]
The rooms, therefore, which had to be provided, could all be of a
fair size, and they could be so disposed as to allow their windows to
fall into the symmetrical arrangement, which the exterior treatment
required. The results can be seen in most of our old-fashioned villages
and towns: small manor-houses and parsonages in the former; houses for
the doctor, the lawyer, the well-to-do tradesmen in the latter. The
vicarage at Puddletown, in Dorset (Fig. 199), is an example of the
early years of the century. It has one large chimney-stack in the main
part of the house, and two smaller, and probably later stacks in the
adjoining wing; its wide eaves give it its distinctive character, and
further touches are added by the cut brickwork under the window-sills
and the circular panels in the end. Beyond these there is nothing to
raise emotions either of praise or blame. There is considerably more
attempt at design in the Court at Holt, near Bradford-on-Avon (Fig.
201). This place is in the midst of a district abounding in stone, and
the builders availed themselves of the opportunity to impart a more
pretentious character to their work. The older methods make themselves
felt in the manner in which the eaves cornice is bent up to form a
gable, steeper than classic handling usually permits. Here, again,
there are but two chimney-stacks, one at each end of the house.
Public-domain text, read in full here on John Shaqi.
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