It was only a small proportion of the actual workmen who were able to
study books; the rest picked up the new manner from such foreigners
as they met, from work which they saw as they moved about, and
occasionally, perhaps, from verbal description. Some worked all their
lives on the old lines. One result of the difficulty of imbuing the
workmen with the requisite knowledge was that some of the men whose
duty it was to overlook buildings--the surveyors--made a point of
studying the new style either through books or by foreign travel or
both. They rendered themselves familiar with classic detail, and were
thus enabled to give the desired character to the buildings under
their charge. They gradually became more and more responsible for
design in the various branches of the building trades, and thus grew
to be architects as well as surveyors. The inevitable tendency was for
architectural design to become more personal, and for its results to
become less like a spontaneous growth of the land.
The number of architectural books published was not in reality very
great; they were mostly of foreign production, and probably few
copies found their way into England. The earliest were printed in
Italy during the closing years of the fifteenth century. By the
middle of the sixteenth century there were, perhaps, half a score in
existence, some in Italian, some in French. These were obviously of
no use to unlettered workmen, but they were appreciated by men of
learning, and were studied by some of the surveyors of the time. One
or two Englishmen had produced treatises on architecture by the end
of the century, but their direct effect on English design can hardly
be traced. It is, indeed, unwise to look to any of the books of the
time for direct and immediate influence; their effect seems to have
been gradual. As may be supposed, it would be the illustrations which
would have the greatest weight, for they would be intelligible to
men unacquainted with the language of the text. The more important
treatises confined themselves largely to drawings of the orders, but
a few smaller books, published by Germans and Dutchmen, gave many
illustrations of particular features such as doorways, windows, and so
forth, and these appear to have appealed more powerfully to English
workmen and to have influenced in some degree the appearance which they
imparted to their details.
Public-domain text, read in full here on John Shaqi.
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