hector every man or woman who feels the spirit of our British Highlands so perfectly expressed as they are in this Lake country into Wordsworthian enthusiasm. But let them alone, and as the Lakeland fever begins to develop more strongly with each visitation, and as spring and summer come round, if they have the sense of song at all within them they will put their Wordsworth at any rate within reach, and the process thenceforward to some measure of intimacy and delight is merely an affair of time. Rydal Mount, standing embowered in foliage above the road which afterwards skirts both lakes, is not accessible, but Dove Cottage on Grasmere, where the poet, with his gifted sister and for a time with S. T. Coleridge, spent the years preceding his long married life at Rydal Mount, is open to the pilgrim, be he a devout or an indifferent one. It will be hardly less interesting as the residence for twenty years of that strange genius, stylist, and laudanum drinker, De Quincey. Apart from the great literary obligations under which he has laid posterity, the autobiographical volume which deals with this Lake country, and the brilliant circle of which he was a member, is a book of extraordinary interest. He married a local yeoman's daughter, and the domestic side of his life, including a devoted and successful family, infinitely alleviates the tragedy of his own long and indifferently successful struggle with the fatal drug. The weak-willed but lovable and brilliant Hartley Coleridge, too, who would dash off a sonnet in ten minutes, lived at Nab Cottage, on Rydal Water, till he was laid in Grasmere Churchyard, to be followed there by Wordsworth in the succeeding year of 1850. Wordsworth himself was never really in touch with his humbler neighbours. He had not the temperament for that kind of thing, and remained a continual mystery to most of them. "Well, John, what's the news?" said the rather too sociable Hartley Coleridge one morning to an old stone-breaker. "Why, nowte varry particlar, only ald Wudsworth's brocken lowce ageean." This had reference to the poet's habit of spouting his productions as he walked along the roads, which was taken by the country folk as a sign of mental aberration. On another occasion a stranger resting at a cottage in Rydal enquired of the housewife as to Wordsworth's neighbourly qualities. "Well," said she, "he sometimes goes booin' his pottery about t' rooads an' t' fields an' takes na nooatish o' neabody; but at udder times he'll say 'Good morning, Dolly,' as sensible as oyder you or me." THIRLMERE AND HELVELLYN