In 1821 he went to London to dispose of some translations from German authors, but was persuaded first to write and publish an account of his opium experiences, which accordingly appeared in the _London Magazine_ in that year. This new sensation eclipsed Lamb's _Essays of Elia_, which were appearing in the same periodical. The _Confessions of an English Opium-Eater_ was forthwith published in book form. De Quincey now made literary acquaintances. Tom Hood found the shrinking author "at home in a German ocean of literature, in a storm, flooding all the floor, the tables, and the chairs--billows of books." Richard Woodhouse speaks of the "depth and reality of his knowledge. ... His conversation appeared like the elaboration of a mine of results. ... Taylor led him into political economy, into the Greek and Latin accents, into antiquities, Roman roads, old castles, the origin and analogy of languages; upon all these he was informed to considerable minuteness. The same with regard to Shakespeare's sonnets, Spenser's minor poems, and the great writers and characters of Elizabeth's age and those of Cromwell's time." From this time on De Quincey maintained himself by contributing to various magazines. He soon exchanged London and the Lakes for Edinburgh and its suburb, Lasswade, where the remainder of his life was spent. _Blackwood's Edinburgh Magazine_ and its rival _Tatt's Magazine_ received a large number of contributions. _The English Mail-Coach_ appeared in 1849 in Blackwood. _Joan of Arc_ had already been published (1847) in _Tait_. De Quincey continued to drink laudanum throughout his life,--twice after 1821 in very great excess. During his last years he nearly completed a collected edition of his works. He died in Edinburgh on the 8th of December, 1859. II. CRITICAL REMARKS The Opium-Eater had been a weak, lonely, and over-studious child, and he was a solitary and ill-developed man. His character and his work present strange contradictions. He is most precise in statement, yet often very careless of fact; he is most courteous in manner, yet inexcusably inconsiderate in his behavior. Again, he sets up a high standard of purity of diction, yet uses slang quite unnecessarily and inappropriately; and though a great master of style, he is guilty, at times, of digression within digression until all trace of the original subject is lost.